You're finally on that plane to Tahiti, and you decide to check what's on for the in-flight movie. Oh-oh, they're running Porky's: Part 12, and you can barely even see the screen 23 rows ahead of you. Then you find the headphones---the type with two plastic tubes coming out of the armrest. Time to whip out some of your own DVDs, sit back with some high-quality headphones, and watch a couple of film versions of Mutiny On The Bounty---the Brando and Gibson varieties.

If there's one thing I can't stand, it's a concert video in which the camera angle changes every three seconds, and during the charango solo we're shown a close-up of the vocalist drinking bottled water offstage. More than once I've wanted to reach through the TV and throttle the film editor. But if a recent announcement pans out, it could put camera control into the viewer's hands and bring a whole new meaning to the term "interactive television."

Last week, the American Film Institute (AFI) commemorated the first 100 years of American movies by officially announcing their prestigious list of the 100 greatest films of this century, as determined by a "blue-ribbon" panel of more than 1500 members of the American film community. In a nationally televised broadcast, "AFI's 100 Years . . . 100 Movies," Orson Welles' classic Citizen Kane claimed the No.1 position.

Computer-game developers have been moving toward the home-theater market for the last couple of years. And with DVD players now catching on with computer buyers and home-theater buffs, the format is ripe for a crossover hit. What is needed, of course, is the killer title that makes good use of both a computer and a home-theater system.