ADA is best known for its world-class surround separates so it's a pleasant surprise to see it getting into receivers, or as the company calls them, integrated controller/amps. The Cinema Rapture ($5000, shipping this week) musters 150 watts into eight ohms and 300 into four ohms while the Cinema Rapture Jr. (price and shipping to be determined) offers 80 watts into eight ohms and 150 into four ohms. Both use Class D amp modules of ADA's own design. They are not licensed from someone else. We can't wait to hear how they sound in our own listening room.
Morel's high-performing SoundSpot satellites have a new iteration in the SP3. It has a larger orb with a new 4.5-inch woofer that enables it to perform better at the low end, lowering the formerly 120-150Hz sub crossover to 90dB, so the sub won't have to do so much work (and call so much attention to itself). The Lotus grille pattern makes it acoustically transparent.
Klipsch likes to bring its trombone to jazz bars and jam after hours.... No, no, that's not it. Klipsch is introducing horned speaker design to soundbars. Yes, that's more like it. The two HD Theater Series bars shown include the SB 1, $599, with two three-inch IMG (injection-molded graphite) woofers and a silk tweeter on each side; and the SB 3, $799, similar but with 3.5-inch woofers and more power. Both speak wirelessly to 10-inch subs though the larger bar has a more powerful and deeper sub. The big guy can produce SPL of up to 110dB (in other words it's very loud). Both have optical and stereo analog ins plus a mini-jack on the SB 3. Klipsch also showed the fifth generation of the legendary Quintet sat/sub set. It now comes in a BMC enclosure, a type of forged stone polymer that's high-pressure injection-molded and is acoustically inert. The motors take up the entire innards of the enclosure. 90 by 90 degree horns surround the 0.75-inch aluminum tweeter and the woofer is another 3.5-inch IMG driver. The new Quintet will be sold in 5.1 sets for $899, same price as the original Quintet, or in five-packs with no sub for $549. When I have more time remind me to tell you about the amazing $2,000 Stadium powered speaker with its opposing subwoofer drivers and quadruple-threat connectivity: AirPlay, Bluetooth, wi-fi, and DLNA.
Though the Mirage brand name is on ice, its Omnipolar speaker technology lives on in two new 360 Series satellites from Jamo. The larger of the two, the S35, is the size of a grapefruit, has a 3.5-inch woofer, and will be sold in groups of four with a conventionally shaped center and sub. The smaller S25 has a 2.5-inch woofer and will be sold in a five-pack. Available colors will be determined based on dealer feedback at the show with shipping later in the year.
When is a soundbar not a bar? When it's shaped like a console, a new form factor that provides more cabinet volume and potentially better sound. The Energy Power Base, pictured, is a 2.1-channel product with pairs of 0.75-inch tweeters, three-inch midranges, and three- by five-inch oval woofers. It comes with Dolby Digital surround decoding, Bluetooth wireless, and optical and stereo analog inputs. Ships in August for $399. Energy also showed two Power Bar Elite soundbars: a 40-incher for $599 and a 31-incher for $399. Oh, and there were a couple of new indoor/outdoor speakers as well.
Regrets gnaw at record collectors. There's always the one that got away: because I failed to buy it, or could never find a good copy of it, or unwisely loaned it, or stupidly discarded it in the CD era's initial flush of enthusiasm and confusion. Over the years I've whittled down my list of regrets with strategic secondhand buys. But a few regrets have remained, and when they affect my relationship with the Beatles or the Rolling Stones—crucial touchstones for a fiftysomething music lover—they're especially painful. I was never lucky enough to find a pristine pressing of either Abbey Road or Beggar's Banquet. However, a recent turntable purchase and an unspent balance in my PayPal account recently drove me to banish these gnawing regrets once and for all.
Audio Performance Video Performance Features Ergonomics Value
Price: $1,200 At A Glance: Top-flight build quality • Clean and detailed sound • Second-zone HDMI
Sing me a song. Come on, it will cheer me up. Hey, that’s good. Can you sing while juggling? Here’s the fruit bowl, let’s see what you can do. Wow, that was great. Now do the singing and juggling while standing on one foot. That was amazing! Can you sing and juggle while hopping on one foot? Incredible, although I must say the hopping affected your vibrato a little. Now let me see you sing, juggle, and hop on one foot while rotating—hey, where are you going? You were just starting to amuse me.
4K x 2K video with to-die-for resolution now has an official name. The Consumer Electronics Association (CEA) has decreed that it will be called Ultra High-Definition or Ultra HD. The latter rolls trippingly off the tongue, doesn’t it? Try it a few times. Ultra HD sets must have at least 8 million pixels, 3,840 horizontal x 2,160 vertical, with an aspect ratio of 16:9 or wider, and at least one digital input must provide that minimum resolution without upconverting.
Audio Performance Video Performance Features Ergonomics Value
Price: $2,299 At A Glance: Audyssey’s best room correction • ISF, THX certifications • Nine amp channels
Onkyo is the quintessential feature-conscious audio/video receiver maker. The company is the champion of the mid-priced receiver, providing things like THX certification, Audyssey room correction, and other goodies at a poor man’s price point. The upper reaches of Onkyo’s line get a bit less attention in the press, however. So today we swing the spotlight onto the Onkyo TX-NR3010, second from the top of the line. At $2,299, it has a few logo-tattoos you may not have heard of before. It also has a lot more power and more ambitious build quality than its slightly less tattooed siblings.
King Crimson's Larks' Tongues in Aspic: The Complete Recordings is a reissue on steroids. This is the only Crim album to have been singled out for a massive box set including 13 CDs, a DVD-Audio disc, and—in a first for indie label DGM—a Blu-ray disc. Like most other releases in the ongoing 40th Anniversary Series, this one features fresh high-res 5.1- and 2.0-channel mixes by Porcupine Tree's Steven Wilson—and you can also buy those mixes in a far less costly two-disc DVD-Audio and CD set. But the LP-size monster box of Larks is in a class by itself as it documents the intensely innovative 1972 lineup that featured avant garde percussionist Jamie Muir along with what became the surviving quartet of former Yes drummer Bill Bruford, bassist John Wetton, violinist David Cross, and guitarist Robert Fripp, the only founding member.