Gallo is overhauling its acclaimed lines of orb-shaped metal-clad satellite speakers with the new A'Diva and Micro lines, which are five and four inches in diameter, and sell for $329 and $239 each. Both use a new full-range driver that is said to offer wider dispersion, though at the cost of a slight reduction in efficiency. Don't worry, an average receiver should be able to run them fine.
Theta's Casablanca surround preamp-processors sell for $17,000-30,000. By that standard, the new Supernova is more accessible at less than ten grand. If you squint you'll see the USB jack which serves two purposes: room correction and a 24/192 DAC for your computer audio fix. Shipping third quarter of this year.
The Scandinavian speaker maker DLS started as a car audio company in 1979, moved into home audio in 2003, and released its first on-walls in 2008—and they are now a big part of its business. The Flat Box II is the large speaker on either side of the picture. Under the grille are an active woofer and passive radiator, made of Kevlar and aluminum, flanking a silk dome tweeter whose wave guide extends from the baffle to the grille, as a means of tightening up time alignment. It goes for $3500/pair. In the middle of the pic is a forthcoming full-range speaker which will be more design-oriented and will sell for $2000/pair. DLS also offers numerous other on-wall models combining 1.5-inch soft domes and three- to four-inch paper woofers, chosen for their efficiency with minimal amplification, selling for $500-1000/pair.
Tivoli's wildly successful Model One and PAL radios now come in Bluetooth versions. Adding the wireless capability pushes the price of a Model One from $149 to $259. Also touted was the free Tivoli Radio app, which offers iOS and Android access to 100 of the internet radio stations that Tivoli's servers supply to the NetWorks internet radio.
Yes, that's a Sonos streaming unit. But this bloggette is about the blank white base it's sitting on. That's the Arcam SonLink ($350) which gives your Sonos fix a little of that old DAC magic. It was one of several DACs shown; another was the AirPlay-compatible airDAC, coming in four months at a price to be announced. But the most exciting news is that Arcam is working on the successor to the AVR600, one of the best a/v receivers we've ever heard. We eagerly await it.
The WCS-2 record cleaning machine ($750) was only one of the many worthy and provocative things happening in the Music Hall room at the Venetian. We say provocative because WCS stands for wet clean suck—don't blame us, we're just reporting—and partly because Roy Hall treated us to a monologue about how "I've always told my customers to go **** themselves and I've been successful beyond my wildest dreams." Also shown were prototypes of the forthcoming Ikura turntable which combines a plastic dual plinth with a carbon fiber tonearm and will sell in two versions, one with MDF platter for "$1000-ish," and a step-up model with acrylic platter and different cartridge. But the most provocative thing was the sheer quality of the sound that emerged from a system combining the Music Hall-branded Marimba speakers ($350/pair) and stands ($250/pair), a70.2 integrated amp ($1499 with phono stage), and USB-1 turntable (a mere $250 including Ortofon cartridge). A highly natural vocal treatment combined with a mighty synth bass to produce what was quite simply one of the best audio demos at the show from a system cost that's less than what some audiophiles would spend on cables.
Don't get us wrong: Moving the high-end audio exhibits from the lowbrow Alexis Park to deluxe digs at the Venetian has been the best thing the CES authorities have done for showgoing audiophiles. Now we can browse in comfort and style. But we still feel sad when we realize that we've spent more time at the glitzy Venetian than in its ostensible inspiration: sweet, crumbling, quiet, car-free Venice. Sigh.
A lot of compact wireless audio systems have crossed our desk over the last few years but the forthcoming Polk Woodbourne, named for a neighborhood in the company's native Baltimore, is different. It has a fiberboard (not plastic enclosure) and the enclosure is sealed (not ported). Wireless options include both AirPlay and Bluetooth apt-X. Power is 70 watts RMS for each woofer and 20 for each tweeter. The demo was impressive for its spaciousness, thanks to the outward-aiming mounting of tweeters on the far sides of the curved baffle. We could close our eyes and imagine we were hearing a larger system. Pricing will be $599 when it arrives between April and June. Polk also showed the new TSx series which replaces the TSi. There are three towers, two monitors, and two centers in cherry or black. Woofers are polypropylene impregnated with other materials so that the intrinisic resonances of any one material are canceled out. Their size has increased in the towers and the larger center from 5.25 to six inches for bigger bass. Pricing ranges from $199 for the smallest center to $999/pair for the biggest tower.
Meridian's first on-wall speakers include the DSP 520 ($5000/each) and DSP 648 ($7000/each). Unlike most in-walls, but like other Meridian speakers, they are self-powered and loaded with DSP magic. They're also built with separate enclosures for the drivers, the electronics, and the back box. Our exclusive closeup shows buttons your installer can use to dedicate the speaker to left, center, or right channel use. Mount Meridian's Media Controller 200 to the back and you can control the system from your iPad.
Tannoy's new Precision line includes continues to use a coaxial array—the company calls it a dual concentric array—with the tweeter mounted at the center of the midrange driver. But this new version is revoiced for greater efficiency and dynamic range. The line includes the Precision 6.4 tower, $3200/pair; the Precison 6.2 tower, $2400/pair; the Precision 6.1 monitor, $1200/pair; and the Precision LCR, $1000. All have six-inch woofers, hence all the sixes.