NAD was at the show with a slew of new products, among them a revamped 4-model AV receiver line: the T 748 (100 watts x 7, $900), T 757 (120w x 7, $1,600), T 777 (140w x 7, $3,000), and the flagship T 787 (shown here, 200w x 7, $4,000). The big news for enthusiasts is that NAD's future-proof MDC design has moved down in the line and now begins with T 757, the lowest price yet for an MDC receiver. MDC stands for Modular Design Construction and allows the unit's input/output circuitry to be user-updated as needed over time to swap in new HDMI versions or introduce new flexibility. Portions of the receiver's jack-pack are on slide-in/screw down modules that can be changed from the rear panel. Home Theater's review of the T 757 is coming soon.
Monitor Audio and NAD both showed high-end, high-performance iPod docks at the show that take straight aim at B&W's successful $600 Zeppelin iPod dock. NAD's VISO 1 is a $700 model that has PSB's renown speaker designer Paul Barton behind it and plays music from a mounted iPod or via a lossless Blutooth connection. Meanwhile, Monitor's Technical Director Dean Hartley is the brains behind that brand's new two-model i-deck series.The i-deck 100 ($499) is the more compact unit with a pair of the company's 3-inch C-CAM bass drivers and two 3/4-in C-CAM Gold metal dome tweeters. The iDeck 200 ($599) is the flagship, with a pair each of 4-inch woofers and 1-inch tweeters. Both offer a clever automatic EQ system in which a built-in microphone picks up three bass tones sent out when you first power the unit up, allowing it to detect its proximity to room boundaries and adjust the bass accordingly. Given the engineering talent behind the Monitor and NAD docks, it's no surprise that both sounded pretty good for an iPod dock, even on a crowded show floor.
Adam Audio is a virtual unknown in the home theater world, but their monitors grace a good many recording studios across the land. The company came to CEDIA with their new GTC (Grand Theatre Components) speaker line, which features an unusual modular construction. Look closely at the picture and you'll see that the driver pods are modular and on their own screw-down plates. This allows the mid/tweeter cluster to be reoriented for L/R or center channel duties, insuring that the proprietary Heil-style ART (Accelerating Ribbon Technology) planar tweeter is always optimal for the application. The design also allows the plate to be physically moved from the top of the speaker to the center location for center channel use. Likewise, in situations where the speakers are mounted into a faux wall (as they are here) or behind wall fabric, the mid/tweeter can be repositioned to better ensure ear-level placement. The three models are all ported cabinet designs but only the top two, the GTC77 and GTC88 (just a bigger versioin of the 77) feature the modular construction. All three cabinets average about a foot deep. The GTC77, with an X-ART tweeter, 4-inch midwoofer and two 7-inch subwoofers is expected to start shipping soon at around $1,500 to $2,000 retail.
Have you been throttled lately? If you have, Home Theater wants to hear about it.
Okay, I'll explain.
In this brave new world where streaming media from the likes of Netflix, Vudu, and Hulu have virtually eliminated video rental stores and threaten to carry away our beloved reference-qualty Blu-rays on a river of rushing bits, the notion of "internet access" takes on new meaning. The capacity of the data pipeline running into our homes affects both the quality and quantity of the video content we can download, not to mention our ability to upload, store, and share our personal media in the Cloud.
And on this front, I'm afraid all is not well in Streamville...
Take a deep breath and inhale that acrid air, my friends. No, it's not the wildfires burning out west this season, but the stench of fuming Netflix customers as they cancel their subscriptions in droves following the announcement Tuesday of a startling 60% rate hike for the company's popular streaming/DVD combo plan.
Like most Home Theater readers, I’ve known SRS Labs primarily as the company that does virtual surround sound and other audio solutions for HDTVs and soundbars—features largely dismissed by serious enthusiasts as lightweight hocus-pocus. So it was with some skepticism that, back in March, I rolled into the firm’s Santa Ana, California, headquarters for a private demo of some new surround sound technology.
It’s a given that most readers of Home Theater are that guy—the one friends and family call when they need a new HDTV. But it doesn’t stop there. Because after your 82-year-old grandmother finally tosses out that old Sylvania console and buys a 52-inch LCD on your expert recommendation, you still have to help with the picture settings. We can’t have nana blowing out her sensitive retinas on the factory torch mode, now can we? Oh, what those eyes have seen...
If you're shopping for an HDTV this weekend, you might find yourself battle-scarred by a war you didn't even know was happening. Anyone considering a set with 3D compatibilitywhich now comes along for the ride in most better flat panels will be forced to choose between one that comes with either active-shutter or passive 3D technology. The key proponents of active-shutter 3D are Samsung, Panasonic, and Sony. Leading the charge for the more recently introduced passive technology are Toshiba, Vizio, and LG (which developed the passive home 3D system being used by the others). Although both types will play back the same 3D Blu-ray Discs and broadcasts, the glasses and the resulting 3D image are different. Here are some facts to help you sort things out.
Successful streaming is about making the right connection.
If you’ve just read “Streaming for the Masses”, you’ve got some idea of the range of hardware that lets you stream video and music from the Internet to your home entertainment system. The primary options include HDTVs, Blu-ray players, A/V receivers, game consoles, and various DVRs and dedicated streaming appliances. To some extent, it does matter which you choose, both in terms of the content you can access and your ability to connect it for the best picture or sound quality.
I took the invitation a while back to visit the Panasonic Hollywood Laboratory in Los Angeles, where the company introduced its 3D Innovation Center to members of the press. PHL is a research and mastering center where Panasonic works with filmmakers on new camera, editing, encoding and playback technologies.