Vinyl is big lately in high-end audio so I had to include at least one turntable or risk appearing hopelessly out of date. It's the Merrill-Williams Audio table that worked so well in the Wharfedale system above. If $7200 sounds steep, you don't get out much; you can spend a lot more for a turntable. And oh, by the way, that price does not include either the Dynavector tonearm ($5000) or the Ortofon Anna cartridge that was used with it here ($8500). That's right, the cartridge costs more than the turntableand more than a good high end surround preamp processor (I had to throw that in!). But if you want to get into vinyl and this is your first exposure to its potential prices, you can do so for a lot less than this.
Wharfedale demoed the top model in its new Jade series, the floor-standing Jade 7. Using vinyl as a source, it sounded most impressive, which was good because a complete surround package built around the Jade 7s is on hand at Home Theater for a future review.
Shown here is the current top-of-the-range Revel F308 floorstander ($4500/pair). A bigger, somewhat higher-priced model that's otherwise similar but has three 8-inch woofers rather than the F308's two) is expected in the fall. All of the Performa models use similar aluminum-coned woofers and identical, aluminum dome, waveguide-loaded tweeters. While the listening environment in the Revel rooms was not ideal, brief auditions of both the largest bookshelf and the F308 sounded very promising.
One manufacturer of pricey speakers (but not nearly as pricey as Magico) that does make center channels is Revel. The model shown here is the news Performa C208 $1700). The entire Revel Performa line has been revised (for mid-2012 delivery), with two floorstanders, two bookshelf models, two centers, a surround, and a subwoofer.
Welcome to the wonderful world of high-end audio. After two eventful days scoping out the latest in video at the Las Vegas Convention Center venue I retired to the relatively relaxing confines of the Venetian Hotel, where I could listen to some tunes played back on deliciously succulent 2-channel gear. Yes, mainly 2-channel. There were a few interesting surround setups, such as in the Atlantic Technology booth where they were showing off the new H-PAS bookshelf speaker, and even a few rare full home theater setups, such as in the Wolf Cinema room. But the Venetian was mostly a 2-channel world.
But an interesting one. I wanted to scope out loudspeakers in particular, some of which have also been covered here by Home Theater's audio tech editor, Mark Fleischmann, and others. But what follows here is what caught my eye…er, my ears.
In the photo above is the new Magico Q7, the largest offering from that loudspeaker specialist. Each speaker is 750 lbs, 60-inches high, and 32-inches deep. A pair of them will set you back $165,000. That’s three zeros, and is not a typo. But they sounded astonishing, as well they should. Don't look for a review of five of them in Home Theater any time soon. In fact, Magico, like many high-end speaker makers, does not offer a center channel speaker.
It may have been one of the less dramatic introductions at CES, but Sony's new, lightweight active 3D glasses will be welcomed by those of us with red bumps decorating the bridge of our nose after every 3D movie.
According to the CEA (the Consumer Electronics Association, the CES show-runners) the CES exhibit space covers the equivalent of 34 football fields likely enough to hold all of the NFL playoff games with room left over for the Super Bowl, both this year and next. Sony's booth must be occupying at least two of those fields, with the same dizzying array of new products as in all the big booths, from the sublime to the gadgety. More than a few of those products are mentioned in these pages; for more on several of them, including Sony's Crystal LED technology demonstration, see our video blogs.
JVC demonstrated three of its projectors, the DLA-X30R ($3500), DLA-X70R ($8000), and the DLA-X90R ($12,000). The DLA-X30R was demonstrated in 3D with an anamorphic lens on a 2.35:1 source. The ability of the JVC projectors to do 3D with such an add-on lens new for 2012. Previously, and with some other projectors, the internal processing did not have enough horsepower to handle both 3D and the anamorphic vertical stretch needed for use with an anamorphic lens.
The DLA-X70R was used for a 2.35:1 2D source, but here by using the zoom method to fill the screen (a convenient option here thanks to the lens memories that all three projectors offer. A review of the DLA-X70R is in the works and should appear in our May 2012 issue. Both of these projectors were used on Screen Innovations Black Diamond screens (1.4 gain, 100-inches wide) in a well-darkened space.
The DLA-X90R was demonstrated in JVC's 4K e-Shift theater on a 150-inch diagonal (about 130-inches wide) Stewart DT Reflection screen (gain 1.7). the images were stunningly vivid, and the demo all too brief!
The entry point for the LG booth (why do they call them booths when they’re more like stadiums?) was perhaps the knockout of the show, with dozens of LG flat panel displays arrayed in a video wall displaying a stunning loop of 3D images. And because LG is using passive glasses in all of its LCDs, it was able to show 3D not only on these screens but on most of the screens in their booth as well, providing either regular or clip-on passive glasses to all comers.