With its line-array Model LS at the left and right consisting of fifteen 5.25-inch woofers and eight AMT tweeters, a similar array in the center partially hidden by an acoustically transparent screen, a stack of eight 12-inch woofers in each front corners, and a complementary setup in the rear, Steinway-Lingdorf produced the most dynamic sound, by far, at the CEDIA EXPO. All of the speakers were multi-amped, and Lingdorf’s proprietary room compensation was included. The gunfight from Open Range was so loud, but clean, that I needed ear muffs. None being handy, fingers in the ears sufficed after the first few volleys whizzed over my head. It can all be yours for a few bucks short of $500,000.
When it comes to high-end speakers, Sony has had tough sledding in the U.S. market, despite some quality products. Its current SS-AR1 and SS-AR2 are excellent designs, but at $27,000 and $20,000 per pair respectively, they'll be a hard sell to any but the passionate and well-healed audiophile.
So when I saw a new pair of concept speakers side-by-side with Sony's new 84-inch, 4K flat panel on the company’s show floor booth I was intrigued. They weren't getting much attention from the CEDIA crowd, of course. All eyes were on the HDTV, and the sound was at a very low level and drowned out by the general din of the convention center din.
But the speakers were being demonstrated rather secretively at a nearby hotel. The official introduction is still weeks or months away (possibly at the Rocky Mountain Audio Fest in Denver in October but more likely at CES in January), so it’s all very hush-hush for now. If I tell you more about them here I’d have to kill you. But you can get a closer look in the following entry, including the speaker’s unique tweeter arrangement. For now I'll just say that they will get a lot of positive attention when they arrive officially. The pricing is still TBD, but will be lower, and perhaps considerably lower, than the SS-AR1 and SS-AR2. And unlike be those determinedly 2-channel designs, matching centers, bookshelves, and subs will be available.
Seymour-Screen Excellence showed its new, acoustically transparent screen that does the job without an obvious weave or visible perforationsthough its surface does have some texture to it. It's available in a variety of formats including fixed frame, retractible (masked or not) and curved widescreen. A 100-inch wide, retractible, 2.35:1, flat model will cost you about $4000. For masking, add $2000.
The Darbee Fidelio, not yet available, will be a more upscale version of the current Darbee video processor when it ships at a date TBD (the basic Darbee will still be in the line). It is expected to sell for around $2000 and offers not only video enhancement but a touch screen interface, Video EQ, Multiple inputs and modes, and downloadable features.
The Darbee video processor is said to cleanly enhance a video image. Based on what I saw at CEDIA (and based on Kris Deering's review that's available on this site) it does the job surprisingly well. I did notice, however, that if there are artifacts in the source material it will enhance those as well! But the degree of enhancement is adjustable.
The Klein K-10 Cinema Pro tri-stimulus colorimeter may not do absolutely everything that twice as expensive color spectroradiometers will do, but it comes close, is much faster, and will read much lower light levels. At $5900, it must be used with color calibration software such as the SpectraCal we use for our reviews. (Not coincidentally, it was being demonstrated in the SpectraCal booth.)
At its Friday press event, SIM2 Multimedia featured its M.150 single chip DLP projector with LED illumination. Normally, LED-based projectors aren’t very bright, but this one lit up the screen. It might have helped that the 125-inch diagonal screen was a DNP Supernova with a gain of 2.4. Surprisingly, this screen had no perceptible hot spot and little fall off in brightness at off-axis angles, making it a viable alternative for LED-lit projectors like the M150.
SIM2 also launched, but did not demonstrate, its SIRIO high Brightness 3D projector (shown in the photo above). Its single-chip DLP dual lamp design (2 x 300W) is claimed to offer higher brightness than other dual lamp projectors. The projector body by itself is $25,000, and a variety of lenses are available at extra cost. The projector will go on sale in late October.
The company also announced a $1000 drop in price for its base line, single-chip DLP models. The Crystal 35 is now $5000, the Crystal 45, $7000.
A price was also announced for the Cinemaquattro 4K projector mentioned in an earlier blog: $158,000, not including lens, of which there will be a variety available. Just in case you were hovering on the edge of your seat before writing that check. The projector is based in a professional Christie design; the light output also mentioned earlier will depend on the chosen lamp configuration and lens.
OK, the wording should be One Adam 12, but if you know the reference you’ve been on the planet and watching TV for far too long. But Adam Audio GmbH, of Germany, was one of several manufacturers (including KEF, Totem, and Wharfedale) attempting to make music on the open show floor. The strikingly styled Tensor Gamma Mk2 shown here is the smallest model in Adam’s top of the line Tensor Mk2 Series.