In a stunning display of one-upsmanship, Sony not only showed a 4K OLED display, but one that's a full 56-inches diagonal. The other OLEDs on show were all a paltry 55-inches.
There's no question that OLEDs can produce eye-grabbing color as well as great blacks and off-axis performance. Like most displays at shows such as this, color is stretched and enhanced all out proportion. But it shur r purdy.
I guess it's a toss-up as to who thought of a curved OLED first, but LG's 3D-capable EA9800 (no word on price or availability) looks appropriately cinematic as well. OLEDs are uniquely suited to curved designs, as they're so thin they can be twisted or rolled into forms impossible up to now with other display technologies.
LG's OLED employ 4-color pixels--sort of. The fourth color is white, along with the usual red, green,and blue.
Samsung claims to be showing the world's first curved OLED, but there seems to be some dispute about that (see below). Nevertheless, you'll see flat OLEDs in Vin's Video Barn before you see curved ones. Exactly when we'll see the flat versions remains a question mark. LG has starting to sell them in Korea either now or claims it will do so shortly, but the US availability date will be later. Samsung claims in June of this year or later. Expect prices between $10,000 and $12,000 for the only size anticipated for now: 55-inches (the 56-inch Sony shown below does not have a delivery date). How that will stand up in the market against the increasingly cheaper big-screen designs remains to be seen.
One thing is certain: OLED can trump any current display technology in a wide range of important performance parameters. The off-axis performance and black level quality comes through in this photo, even on a your computer screen, which itself will certainly have a far poorer black level.
This is just one of the images that the LG video wall morphed into. The moving 3D images ranged from the surreal to the fantastic. It was the standout booth entrance at the show. LG provided the passive polarized lens of the 3D glasses over the camera lens.
If there was a theme to this year's CEDIA EXPO, it would be The Rise of the Soundbar. While these devices are incapable of reproducing the full impact of a 5.1 or 7.1 surround system consisting of discrete speakers and a subwoofer, they are undeniably convenient. And many of them sound better than you might imagine. One such is this fully powered $900 model from Atlantic Technology. The driver configuration is 2-channels, but has internal processing that is said to offer a three or five channel ambient experience from a Dolby Digital or DTS surround source.
Using H-PAS technology, the Atlantic claims extension down to 47Hz without a subwoofer. While there was a trend at the show toward ultra thin soundbars, most of the latter required a subwoofer to go that low. The Atlantic is 6.5-inches deep, and may be wall mounted, shelf-mounted, or positioned on top of your stand-mounted flat panel using special brackets designed for this purpose.
Marantz was on hand with its latest surround preamp-processor and 5-channel amp. Apart from slightly increased price, the AV7701 7.2-channel pre-pro ($1700) is similar to last year’s model. The 5-channel, 140 WPC, MM7055 power amp is priced at the same $1700.
Schneider displayed its extensive range of anamorphic lens options. The company makers some of the best (and most expensive) such devices on the market, with a wide range of mechanisms to move the lens into and out of position. The device on the right is the latest such rig.
The BluWavs Headset from Mozaex is the first truly discrete 7.1-channel headphone, with 10 individual and individually driven drivers. They come with a console that provides full amplification for a package price of $1299. An optional multiband graphic equalizer (for the front channels only) adds $300. They were effective, though the frequency balance of the prototypes on display needs a little more TLC, as does the comfort for this large, heavy design.
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