JVC opened the show with a bang, introducing eight new projectors. Six of them are further refinements of last year's models, with some significant new features. As last year, they are paired in sister designs, the Reference models (DLA-RS65 at $12,000, DLA-RS55 at $8000, DLA-RS45 at $3500—the latter a $1000 price drop from last year's corresponding model!) and the Procision models (DLA-X90R, DLA-X70R, and DLA-X30Rat the same respective price points as the Reference models) The respective Reference and Procision models are identical in features and differ only in minor cosmetic details and their sales channels (the Reference models are sold through Pro dealers).
On the day before the show opened, the isles were clogged with crates, ladders, and fork lifts doing the Indy 500 shuffle. For how it all looked when the crowds rolled in, scroll down until you get to the beauty shot taken on Thursday morning, opening day. Viewing the chaos on the day before, you never think they'll be ready to open on time. They always are. Kudos to the dozens of behind the scenes "stagehands" without whom there wouldn't even be a show.
DNP Denmark may not be the most well known name in screens, but it makes some unique products. Hidden behind the bobble heads in the darkened area to the right of center here is the DNP Supernova Epic, a 132" diagonal, 2.35:1, 0.8 gain model with side masking. Made in Scandinavia, so you know it's expensive. All yours for $20,000.
DNP was using projectors from projectiondesign, and while that company has no booth at CEDIA this year, I was told to watch out for press releases. We will.
But for me, projectors were the main attractions in the Mitsubishi booth. The currently available HC9000D LCOS design (2D and 3D, $6000) looked fabulous in 2D (it was not being demonstrated in 3D when I was there). I was surprised, in fact, at how bright it looked on its 143-inch diagonal, 16:9, Stewart Studiotek 130 screen (gain 1.3).
Mitsubishi has been busy this year. First was its 92", DLP rear projection set shown at last January's CES. Now they've also re-launched their Laserview RPTVthe $6000, 75", 16" deep, L75A94. I don't think the latter was being shown to best advantage, located as seen in the photo (the set against the wall on the left is the 92" DLP, the Laserview is further to the right, in the upper center of the shot), but it will be interesting to see if MItsubish can make more of a go of it than the first time it was launched several years ago.
Epson made quite a splash at last year's CEDIA with a demo of its first LCOS projectors. The company actually refers to their version of this technology as 3LCD Reflective—essentially the same thing as LCOS, though I recall that they noted in 2010 that they were liquid crystal on quartz rather than on silicon.
Come December 25, Santa will be slipping new Blu-ray players and discs under many a Christmas tree. But will those Blu-ray discs actually look better to you?
The Blu-ray format may be four years old, but I still see comments on various websitesnot to mention in the mainstream (non-enthusiast) pressto the effect that those Blu-rays don't look any better than upconverted DVDs. When you read these comments, you need to ask a few questions about the commenter, questions to clarify the circumstances surrounding the observation. These questions may even relate to your own experiences…
In addition to its range of anamorphic lenses, Schneider Optics introduced its own single-chip, 2D DLP projector, fitted with an anamorphic lens. The trick feature here is that the motorized mechanism that moves the lens in and out of position is built into the lens case, with no need for outboard sled hardware. $23,500, including ther anamorphic lens. Available early in 2011.
Vivitek wants to be your projector company, either with its premier H9080FD LED-lit, single-chip DLP projector ($15,000) or with its new $5000, H5085 lamp-lit single chipper, or the H1085 DLP. The latter carries an alarming price of $1499 with a specified light output of 2000 lumens.