Cinema 12 Surround Processor
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Video Performance
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Model 7.125 Amplifier
Performance
Features
Ergonomics
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Over a decade ago, while writing for a now-defunct audio magazine, my editor shipped me a pair of monoblock Cary tube amps he’d never gotten around to reviewing. Something must have shook loose during transit, because instead of music, all I got when I powered them up was a wisp of smoke as one monoblock sadly committed hara-kiri! The Cary Cinema 12 and Model 7.125 are an eternity of light years away from those fragile forays into bottle socketry. They exude an air of quality and reliability that physically and musically justify their significant price.

Call me weird, but I get excited when I see XLR connectors on my audio gear. Time spent in my fledgling home studio has taught me why pros prefer them. The Cinema 12 offers both single-ended RCA and true, differentially balanced XLR outputs, an arrangement and circuit design mirrored on the Model 7.125 amplifier. The Cinema 12 even offers a pair of stereo analog XLR inputs and a single balanced digital input beyond the roster of seven single-ended analog input pairs. Audio purists will appreciate the fact that you can bypass all digital conversions for your analog sources, including the 7.1 analog input you might use with an SACD player.

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Anthem Lite and Right

When I hear “Anthem,” I also usually hear “ka-ching!” Anthem’s Statement D2v surround processor sells for a cool $8,500, which is enough cash to keep a Colorado hippie blazing in medical marijuana for years. The MRX 700 is the company’s welcome foray into the world of down-to-earth-priced AVRs, punctuated by the inclusion of the same Anthem Room Correction (ARC) system the company uses in its costlier separates. Anthem’s proprietary room correction alone might be enough to swing some consumers’ decision. Those who’ve used ARC with Anthem’s separates (including some people employed by this fine publication) hold it in high regard. An AVR at the MRX 700’s $2,000 price point is going to be up against a lot of stiff competition. Will Anthem pull it off, or is its first attempt at a killer AVR for the masses about to go up in smoke?

A Bigger Boat

So the red-felt-topped pool table with the Bud Light (get it?) lamp suspended above it in your man cave doesn’t illicit “oohs” and “aahs” from visitors like it once did? Maybe it’s time to re-create that 1980s Crazy Eddie’s look by installing a showroom’s worth of speakers and driving them with the Onkyo TX-NR5008 AVR.

What? No 8-Track?

I’m convinced that at a subatomic level, my DNA has begun mutating me into homo gadgetus. My dad was an electrical engineer, so naturally, hooking up a two-channel stereo was instinctual, hereditary, and manifest from the moment my little fingers could grasp an RCA connector. But setting up a multichannel, HDMI-equipped, Internet-connected AVR was a challenge until recently. I don’t think manufacturers have gotten that much better at their hardware and software design. I just think that as a subspecies (male), we’ve become more adept at new forms of hunting and gathering.