What makes one of today's complex A/V receivers friendly, and another model with identical features off-putting? I didn't ask that question when I began setting up and using Pioneer's latest, the Elite VSX-49TX , but the answer appeared as I explored this superbly-thought-out receiver, and was confirmed when, returning after a week out of town, I was able to easily take advantage of its many functions without getting lost or even needing the instruction manual.

Kenwood's entry in the category of top-shelf A/V receivers is the Sovereign VR-5900—a curvaceous, feature-packed powerhouse combining a user-friendly operating system, THX Ultra certification with all attendant processing facilities, Dolby Digital EX, matrixed and discrete DTS ES, HDCD decoding, and enough digital and analog inputs and outputs (including 2-zone operation) to satisfy almost any videophile's needs. It even includes a moving-magnet phono stage (but laserdisc aficionados will have to add an outboard RF demodulator).

John Lennon's line in "Come Together"—"Got to be good-looking 'cause he's so hard to see"—sums up the sleek, shapely appearance of Sonus Faber's new Grand Piano Home L/R speaker. With its warm, leatherette-wrapped front and rear baffles and sculpted black-lacquer-like side cheeks, the gently sloping design exudes European elegance even as it seems to disappear under its own good looks.

You want to believe. I want to believe. We all want to believe that, some day, a tiny chip the size of a 35mm transparency in a video-display device the size and weight of a slide projector will be capable of producing a moving video image so exquisitely filmlike that it will banish bulky, expensive, tweaky CRT projectors to the trash heap of technological history.