Spin a few of sound re-recording mixer Greg P. Russell’s movies on a proper 5.1 or 7.1 system, and you’ll soon realize that this guy loves home theater. Having worked on more than 200 movies, including every Michael Bay opus since The Rock (although he freely admits “Armageddon was over the top”), Russell has crafted some of the most thrilling soundtracks of our generation.
How do you make a blockbuster film based on the all-too-familiar tale of the doomed luxury liner Titanic? Try giving it a context of modern-day exploration and discovery, weave in a resonant theme of class struggle and the folly of ambitious men, and put at its heart a romance that epitomizes the sweet stupidity of young love. And don’t forget to execute it all with an unprecedented technical genius.
Price: $300 At a Glance: Renders 5.1 signals as "7.1" • Multiple digital inputs, no analog • An easy form factor to live with
The valley between most televisions' woeful onboard audio and the glory of a full-on 5.1-, 6.1-, or 7.1-channel audio system is a broad one indeed, and wending its way through the middle like some bittersweet creek is the much-maligned soundbar. Once dismissed by the techno-elite as home theater for the lazy, the soundbar has since evolved into a viable compromise bet ween…well, something great and nothing at all.
What do you get for the home theater buff who has everything…even if that home theater buff is you? We’ve uncovered an assortment of add-ons, doodads, and whatnot that will raise the bar on your audio/video rig and beyond.