Unless you've been in a cave for the last decade, you already know that audio is rapidly steamrolling toward multichannel forms. Evidence is abundant on both the software and hardware fronts. These days, you'll be hard-pressed to find a modern movie in stereo on any medium outside of television. Music probably has years to go before its stereo form becomes esoteric, but the writing may be on the wall. As for hardware, try finding any electronics that don't support some multichannel form or another—if not several—anywhere but the smallest specialty shelves. Whether stereophiles like it or not, multichannel is as embedded in audio's future as digital coding itself.

It was a question I hadn't considered until I stepped into the listening room on that gloomy Monday morning to greet my Canadian guests. Then it hit me like a slap shot to the forehead. Could I be the unbiased, emotionally unruffled reviewer that I know I am on this day, or was my bitterness simply too strong to give these visitors their fair shake? For you see, it was less than 24 hours earlier that one of the most important games in North American hockey history—the gold-medal final between the United States and Canada—had ended in utter disappointment for the Stars and Stripes. And now, these Canadian speakers were staring me right in the face—their phase plugs pointing at me in ridicule, their ports directing a sly, triumphant wink my way, and their cabinets standing a little taller and straighter after 50 years of Olympic-hockey frustration. My doubts quickly passed, though, as my foreign guests began expertly filling the room with the soothing sounds of the Mississippi delta and Virginia mountains, bringing an undeniable calm over me—even a hint of resignation. As much as I love hockey, it's their game, after all. If Canada starts beating us in football or baseball, I'll know the sports gods have really turned their backs on the good old U.S. of A.

Bridge technology. I almost hate to use the phrase, since it undoubtedly originated on the PowerBook of some Madison Avenue hack. Still, the phrase works so well because we need so much right now. One cannot dabble in technology these days without instantly becoming familiar with the concept of bridging. We don't have it quite as bad as our cohorts in the computer industry, but (whether we like it or not) the grand digital-television experiment has put us all squarely in the gap between the present and the future of video. Sure, you could resist, as so many of us have been tempted to do. But your trusty old television is going to look pretty funny in 2006, when all it coughs up are 500 channels of blank screen. I wouldn't hold out hope that the FCC will balk on their blackout deadline for the analog transmissions. Word is that the analog portion of the spectrum has already been whacked up amongst the bandwidth-hungry cellular companies, which are willing to pay for it. Pop quiz: Who do you think the FCC wants in that space five years from now—television broadcasters (who they've been berating for some time now about dragging their feet on the digital transition and who don't pay a penny for the space) or cellular companies that are going to swoop in, drop a lot of cash, and swoop out with their bandwidth . . . no muss, no fuss. The first person to answer right wins a free chance to buy a new TV (and some expanded cellular service, too).

Bass: It is undoubtedly the most misunderstood aspect of a home theater system's performance and, in some ways, the least appreciated—especially among the higher-end ranks. Bass' bad rap (no pun intended) derives from a number of sources, but its fundamental undoing is its poor implementation in the vast majority of audio systems—from the genius who cruises around with 10 $50 monotone subwoofers in the trunk of his car to the home theater owner who hasn't put forth the considerable time and effort it takes to properly calibrate low-frequency output. Poor-quality subs, of which there is no shortage, are as much to blame in this situation as user error. The bottom line is that quality bass performance is critical to any audio, music, or home theater system, and its journey begins long before the signals ever reach our speakers.