The holy grail of home theater simplicity is to have fewer remote controls and one-touch operation without confusing programming. HDMI CEC (Consumer Electronics Control) promises to control components that are connected via HDMI cables with just one remote. Turning components off and on and one-touch play and record are some of the first features enabled on these initial HDMI CEC home theater offerings. But they often prove to be not so easy. You must set up the HDMI CEC in each component’s menu, and controlling the components can be inconsistent. Plus, each brand has its own nomenclature for menu and action items. But perhaps being forewarned will enable you to be forearmed.

Neil Young was on NPR chatting about his new movie, Heart of Gold, when he uttered a line that stuck with me: "The art of singing is making a sound that comes from your heart." Thanks Neil, I'm co-opting the idea to describe what distinguishes great home theater systems—their sound touches your heart. Yeah, that's it. While components are getting better all the time, many lack that special something. There's nothing obviously out of whack, it's just that their sound doesn't connect on an emotional level. Sometimes the individual components are all top notch, but, if they're not well matched to each other, the sound suffers. When everything clicks, you know it. That was certainly the case when I hooked up Marantz's SR8500 A/V receiver with a set of PSB's VisionSound VS300 speakers and SubSeries 5i subwoofer. They're all charmers.

This month's Meridian Spotlight System consists of four DSP3100 monitors, a DSP3100HC center speaker, an SW1600 sub, and a G91A DVD-Audio/video player, controller, and tuner. If you want to know what happened to the amps, you'll just have to read on.

The audio industry seems about to leap off a cliff. Permit me to suggest that this may be a rash decision. True, component audio sales have diminished, but that's no excuse for the industry to abandon its principles and give up on sound quality. What consumers are rebelling against is not good sound but bad design. They've had enough of big, dumb, room-hogging speakers. "It doesn't suit the room, but it sounds good" doesn't cut it anymore. "It looks as good as it sounds" is the winning combination.

I recently visited Berkeley, California, to take a tour of Sumiko, the U.S. distributor for many high-end European audio manufacturers, such as Sonus faber, REL, Primare, Pro-ject, SME, CineVERSUM, SEQUENCE, and Vienna Acoustics. They gave us several demonstrations, including a rather moving and educational listening session with their Cremona speaker line in a two-channel setup. They played several types of music for us, and, with every track, I felt myself getting more involved, more entranced, almost emotional. It wasn't unlike the first time I'd attended Carnegie Hall and listened to a symphony. I was enjoying music explicitly, not listening passively while I cooked, cleaned, exercised, and otherwise lived my life.

Outlaw Audio and Aperion Audio both pursue the decidedly nonmainstream business model of selling quality surround gear directly to consumers over the Internet. Back when I worked for an Internet startup—don't fall asleep now, or I'll poke you with a stick—my now dead-as-a-doornail company caught a lot of flak for facilitating Internet sales of audio equipment. Isn't it unwise to buy something you haven't heard?

Whether by nature or nurture, I'm a speaker guy. I'm more captivated by speakers than any of the associated electronics in a home theater system. As a result of this singular infatuation, I've always believed, as a general rule of thumb, that you should allocate at least half of the total cost of the audio portion of your system to the speakers. I don't know why the math seems to work out that way, but, in my mind, it just does. So what am I to make of a system in which the Primare electronics cost twice as much as the Sequence/REL speaker package?