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The latest addition to the Sonos family of products is the Sonos SUB, which is specifically designed to work with the company’s speakers—the Play:3 and Play:5. Either of these can be paired with another speaker of the same model to create a stereo pair for a wider soundfield.

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There are, and have been, lots of movements in the world: political (the Tea Party and Occupy Wall Street), social (abolition, women’s suffrage, and prohibition), artistic (Impressionism, Dadaism, and WTFism), and of course, bowel (but I digest…er, digress).

When it comes to subwoofers and speakers, air movement is of particular import. If you want loud, low bass, your woofers are going to have to compress a lot of air. For movies, it’s especially enjoyable when your subwoofer has enough spunk to cause the floor under your feet and the seat under your butt—and even your body’s chest cavity—to vibrate during those massive, over-the-top Hollywood explosions or through the low rumble of an earthquake. These are sensations that you feel more than hear.

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So, who the hell is REL Acoustics? That’s a question you might be asking yourself if your favorite places to shop for the latest in A/V gear happen to be Sears, RadioShack, or Big Jim’s Family Pawn & Gun Shop. I’m not saying there’s anything wrong with those establishments (well, Big Jim’s might be a little iffy), but REL’s subwoofers are not a cash-and-carry kind of thing. As a matter of fact, REL—a British company that makes only subwoofers—claims its products “are not traditional subwoofers, but true sub-bass systems.” Starting with this slightly different concept of what a subwoofer should be, it’s no wonder that REL subs require a somewhat out-of-the-ordinary setup and that the company recommends parameter settings that are a bit unusual. As a result, REL subwoofers are found only at retailers that have silk-robed salespeople who have been trained by mystical, shoeless REL Zen Bass Masters to be highly skilled in the ancient acoustical arts of transducental bass reproduction.

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Dr. Poh Ser Hsu designed and sold his first subs around 1991. They were tall, tube-like structures, built from the forms used to pour concrete pillars. The tubes were made of relatively thin fiberboard (roughly 0.125 inches thick), and their cylindrical shape made their walls tremendously strong and resistant to flexure. More important, they were relatively light, which was ideal for Hsu’s direct-from-the-factory sales plan.

Because You Can

So, I’m wheeling this ginormous 230-pound Paradigm subwoofer down and around the side of my house, to the double-door, daylight basement that serves as my home theater room. Being impatient, I’m doing this by myself and hoping like hell I don’t tip the thing over and watch it roll end over end down the slope in my backyard. About this time, it occurs to me to wonder, “Why am I even reviewing something this big?” The answer that came to mind is probably the same reason people will buy this $9,000 powder keg of bass. Because I can.

Of course, there’s more to it than that. At CES 2010, the best home theater demo I saw and heard was in the Anthem room, with Anthem’s electronics and sister brand Paradigm’s speakers and subwoofers. The bass was sensational, thunderous, and room shaking, and yet it was strikingly refined. That was the first time I saw the SUB 2, a 4,500-watt subwoofer (rated RMS, and never mind if you can actually get that out of your wall), with six 10-inch woofers arrayed in pairs, firing out of three sides of the cabinet. You read that right. I was every bit as awestruck as you probably are now. Why would Paradigm design and build such a thing? Because they can. In home theater and in life, it’s my firm belief that anything worth doing is worth overdoing. If that’s your philosophy too, read on, because the SUB 2 is a helluva ride.

Last year, my family and I moved from our little house near a noisy city airport to a more pastoral setting where, aside from a nearby neighbor who likes to bulldoze anything with leaves on it, the loudest thing is an old four-wheel-drive F250 pickup we bought for hauling things (including our butts) around the farm. Although it's in surprisingly good shape, some things don't always work, like the original factory radio, for instance.