OK, the wording should be One Adam 12, but if you know the reference you’ve been on the planet and watching TV for far too long. But Adam Audio GmbH, of Germany, was one of several manufacturers (including KEF, Totem, and Wharfedale) attempting to make music on the open show floor. The strikingly styled Tensor Gamma Mk2 shown here is the smallest model in Adam’s top of the line Tensor Mk2 Series.
Screen Innovations has incorporated adjustable (and defeatable) backlighting at the boarders of its zero-edge, fixed-frame projection screens. Just don’t call it Ambilight! Apart from this, however, I saw a stunning, bright, and colorful image (granted, the source was Speed Racer) on the 138-inch diagonal, 2.35:1, 1.4-gain Black Diamond screen, driven by a Sony VPL-VW1000 4K projector and a standard 2K Blu-ray disc.
I always take time out at CEDIA to sample some of the home theater seating exhibits that sprinkle the show floor. OK, so it’s a tough show and the dogs do bark! This jumbo love seat from Cinema Tech is more than just comfy. It not only reclines, but a powered headrest can be raised or lowered, depending on your needs of the moment. It’s available in different configurations (such a single seat). The catch is the price (for the loveseat shown) of about $7500 depending on the leather selected. A number of other manufacturers were also showing theater seats with adjustable headrests.
JVC’s booth on the show floor, using its top of the line DLA-X95R projector with e-Shift2 technology, provided one of the more eye-popping demos at the show. The 2D demo, with clips produced specifically for demonstration purposes from a 4K source file downscaled to 2K for transfer to Blu-ray, looked incredible on a 123” diagonal, 16:9, Stewart Studiotek 130 screen, suggesting that e-Shift2 really is a genuine step up from last year’s original e-Shift. The sound was special as well, provided by Definitive Technology speakers (anchored by the Mythos Super Towers at the left and right).
Digital Projection was featuring Its D-Vision 35 LED ($39,000 with lens) and D-Vision Scope ($34,995). Both are single-chip home theater designs, identical in form factor to the photo here, but very different in their features. The D-Vision LED uses LED lighting for consistent color and long life, though with some sacrifice in brightness. The D-Vision Scope has a higher than HD resolution chip that enables projection of 2.35:1 films without an anamorphic lens and with an on-screen pixel density of 2560 x 1080. Both looked outstanding, though I favored the brightness and big screen capability of the D-Vision Scope.
Black gloss has been the default finish for speakers for ages so when I saw a home theater suite of white-gloss speakers I stopped for a closer look. Adam Professional Audio, a German company known for its studio monitors, launched the ARTist Series line of consumer speakers speakers at CEDIA Expo with five powered models: the ARTist 3 and ARTist 5 bookshelf models with 2 x 25 and 2 x 50 watts of power, the ARTist 6 mini tower with 3 x 35 watts, the ARTist 6H center speaker with 3 x 35 watts and the ARTist Sub with 140 watts driving a 7-inch woofer.
The system's sonic character is defined by Adam's smooth sounding X-ART (eXtended Accelerating Ribbon Technology) tweeter, which improves on the Heil Air Motion Transformer concept developed in the '70s. Instead of the piston motion of conventional tweeters, a pleated diaphragm produces sound by squeezing air out like the bellows of an accordion, which is said to avoid distortion and dynamic limiting. Each speaker has RCA and XLR inputs and the bookshelf models also have USB and minijack connections.
The ARTist system shown (ARTist 5s are used as surrounds) sells for $5,100 and, yes, the speakers are also available in black gloss.
After yesterday's Media Preview appearance, the GoldenEar SuperCinema 3D Array soundbar offered smooth performance with dynamically challenging movie material and the broad on- and off-axis imaging afforded by its folded ribbon tweeter. We'd say it's worth the $999 pricetag.
The long-awaited debut of the Atlantic Technology H-PAS PowerBar 235 will come in about two weeks, when it will finally ship, offering the most extended bass you can get in a bar thanks to ingenious multi-chambered enclosure design. Numerous tweaks over the last few months include the addition of DTS decoding, and Atlantic makes a big point of having on-board Dolby Digital decoding as well, as opposed to counting on a conversion to PCM (which we're told some new LG TVs won't do). More tweaks: vocal enhancement to push dialogue forward, left-minus-right surround expansion, a less aggressively illuminated display that fades to black after confirming setting changes, and replacement of the see-through grille for something more discreet.
The Tannoy people say they fine-tune their systems for music first and everything else second. We think that's a good attitude. The new Definition Series features "dual concentric" driver arrays with the center physically positioned and time-aligned to the acoustic center of the mid-woofer, reducing phase issues to nil, we were told. Internal bracing uses "differential materials technology" including a free-floating structure to protect the crossover. These speakers all have dual woofers with models including the 10-inch DC-10T and 8-inch DC-8T towers, 6-inch DC-LCR, and 12-inch Definition sub. The 7.1-channel system demoed—with big towers in front, smaller ones behind, center, and sub—totals $29,600 and it sure did sound musical with the evil-singing-cockatoo clip from Rio.
As lossless surround addicts, we deplore pricey soundbars that don't support HDMI and therefore lack lossless surround compatibility. Definitive Technology does it right with the SoloCinema XTR, as you can see in the picture, with three HDMI ins and one out in addition to optical and analog. The 5.1-channel bar is the first we've heard of to feature the Dolby Volume volume-leveling and low-volume listening mode: a huge plus. Three aluminum tweeters and three pairs of three-inch convex aluminum woofers are under the hood. The outboard sub has an eight-inch woofer in a flat enclosure that can go against a wall or under a sofa, with three spacer feet. In the demo the bar produced surprisingly discernible and well-imaged surround effects to the side and slightly behind the listener. The remote's highly tactile design helps you feel around for the right button in the dark. Product started shipping in small quantities this month but won't hit its stride till October, at $1999.
The Paradigm Millenia CT system is a smaller 2.1-channel version of the amazing-sounding MilleniaOne 5.0 sat/sub set, which earned a rave from us when we reviewed it rather late in the game. What appears to be a single module in the pic is actually an Apple TV box sitting atop a similarly proportioned Paradigm module which accepts input from both Apple TV and your optical-digital signal source of choice. Amplification is in the sub. Pricing is $699 with sub; there is also a larger MilleniaOne CT at the same price without sub. Both ship September. Paradigm also showed a Soundtrack 2.1-channel soundbar ($799, shipping October) with two one-inch aluminum tweeters, two 4.5-inch mid-woofers, two passive radiators, and outboard eight-inch side-firing sub.
Paradigm is greeting its 30th anniversary with two extraordinary limited-edition speakers, the monitor-size Inspiration (only 300 to be made) and the Tribute tower (only 200 to be made). The camera flash made their dark gloss cherry enclosures gleam red though under ordinary lights they were duskier. Under the surface are seven layers of medium-density fiberboard. The tweeters are pricey beryllium and the seven-inch woofers are C-PAL carbon-anodized pure aluminum. The demo featuring the tower wowed us with awesome, effortlessly extended bass, sweet tangy brass, and a close-up and personal vocal perspective. While a companion center was not shown, there's probably something suitable in the Reference line, so there's no reason not to contemplate using these babies in a surround system. The monitor and tower ship in late October for $1299/each and $2999/each respectively. Get 'em while you can.
It's about time KEF offered a product specifically for the growing computer-speaker audience. Though the X300A's ship date is not imminent, the preview demo made us want a pair right away, with the tight imaging we expect of a Uni-Q speaker and good top-to-bottom proportioning. It's KEF's first self-powered speaker, with powerful Class AB amplification and USB bridging the gap from one speaker to another, and each one having its own separate digital-to-analog converter. You might see it in December for $799/pair.
The last model to commemorate KEF's much-celebrated 50th anniversary is an echo of its historic BBC-approved LS35A monitor. The new LS50's curved baffle includes the famous coaxial Uni-Q array, with the tweeter centered in the woofer, and the specific drivers having trickled down from the bleed-edge Blade über-tower. The ported design plays deeper than the LS35A's sealed design. Even amid the hubbub of the show floor, this was one of the best monitors we've ever heard casually demoed, and it hurts to say that it's priced per pair, at $1500, which will make odd-numbered surround configurations impractical unless you don't mind sticking an extra speaker in the closet. Shipping now.