For those who are challenged more by space than budget, Runco's new LS-100d can be mounted flush to the wall directly above or below the screen, taking only 18 inches of depth and producing a 92-inch image. Its LED light source turns on instantly and will last 50,000 hours while consuming 70 percent less power than a conventional lamp. It ain't cheap at $20,000, but that includes an outboard DHD4 video processor.
Also new from Runco is the VX-11d, a 3-chip DLP model that's spec'd to output over 1000 lumens. Pricing starts at $30,000, which includes an outboard DHD4 video processor and one of six primary lenses, and it's fully compatible with Runco's optional CineWide anamorphic lens kit with AutoScope motorized sled.
Runco upped the 3D ante at its press conference with the new D-113d dual-engine projector system. Each 3-chip DLP engine includes twin UHP lamps, which means even 3D images have plenty of brightnessthe company claims it can fill screens up to 420 inches diagonally. Instead of linear polarization to separate the left and right images as in the D-73d, the new model uses spectral filtering similar to Infitec/Dolby 3D, though this system was developed by Panavision with five spectral bands rather than Infitec's three.
LG doesn't have its own booth at CEDIA this year, but the company did launch a new flat panel in the THX booth with virtually no fanfare. The 55LW9800 3D LCD flat panel incorporates the company's new Nano LED backlighting, in which a extremely thin optical filmthe "nano" partdiffuses the light from the LEDs more evenly than previous designs. As with other recent LG LCDs, this one uses passive-polarized glasses for 3D, and it's THX-certified in both 2D and 3D modes. In fact, a THX rep told me that, in a faceoff with many 3D TVs, everyone tended to gravitate to this one as the most comfortable to watch. The 3D effect was superb on the underwater footage they were showing, though I could still see the line structure endemic to passive-polarized 3D LCDs.
Monster Cable brought along its test gear to demonstrate that HDMI cables can differ. This is a hard sell for many users, considering the high prices some of these products command over others, but a clean "eye" pattern, visible on the display screen, indicates a cable with optimum video performance.
2011 is SIM2 Multimedia's 15th anniversary. To celebrate, the company is introducing 15 new models in 2011. In honor of the event, members of SIM2's upper management, including President Maurizio Cini, also attended the show.
All of SIM2's projectors are DLP designs. The new models fall into five different ranges: CRYSTAL, MICO, NERO, LUMIS, and CINEMA. The CRYSTAL range (2D only) consists of two entries, the $6500 Crystal 35 and the $8500 Crystal 45. To our recollection, these are nearly blue light specials for a manufacturer which is not normally known for relatively affordable projectors.
As usual, video guru Joe Kane was holding forth in his black-curtained lair in the land of Da-Lite , demonstrating his Samsung-derived projectors (sadly, no longer available) and his approved, Da-Lite Affinity screens (which definitely are). Joe is working 24/7 to get his next test disc ready to market, which will include 3D material and 3D test patterns sorely needed by video pros, calibrators, and users alike.
The good people at NextGen showed off their new “universal” active shutter 3D glasses. Each set comes with two additional nosepieces that allow you to adjust the glasses for the most comfortable fit, a USB charging cable, a carrying pouch, and a cleaning cloth. The current $79 version supports IR-sync based 3DTV systems, but RF and Bluetooth models will be available shortly.
It ain’t easy being wireless. Soundcast Systems gave us a peak at just how crowded the wireless spectrum was inside the convention center this afternoon. At another booth, one of the guys told me that they had counted over 190 wireless access points visible from their relatively obscure location in the convention center. It’s a wonder anything wireless worked at all in such a brutal RF environment.
Why bolt a speaker onto a sub? Well, if you deploy five or more of them, your surround system's regular sub will have huge reinforcement, great coverage, no holes in bass response. That's what Procella does with products like the new P610. Thanks to shallow depth, it's not as bulky as it looks. Inside are a 10-inch sub driver at bottom with a 6.5-inch midrange and one-inch tweeter at top, the latter recessed deep into a waveguide. Price $3199 for the speaker half and $1499 for the sub half.
The Talking Heads movie Stop Making Sense was crackling and rocking at the Induction Dynamics booth, benefiting from the dARTS DSP-based room correction developed by stablemate Phase Technology. The system with S1.8Td tower, C1.8d center, S1.8Sd surround, and SW2 sub totaled $55,000-60,000 depending on finish and config. The demo system pictured was in basic black but I loved the gloss rosewood shown in front of the booth. Are 63 different grille colors enough?
The venerable Baltimore-based speaker maker showed three new monitors, two new soundbars, and three new subs. The three StudioMonitors include the SM65, an LCR with two 5.25-inch woofers ($449/each), SSM 55, a two-way design with 6.5-inch woofer, $299/each), and SM 45, two-way, 5.25-inch ($199/each). The two larger models have passive radiators on top; the smaller one is back-ported. All have woofer phase plugs whose rubber surfaces are dimpled to control air flow. These speakers are voiced for the audiophile on a budget, as opposed to the home theater buff looking for deep thrills, so the bass is said to trade off midbass force for greater extension. Shipping October. DefTech's two new soundbars include the XTR-SSA5 ($999) which has woofer-tweeter-woofer arrays for three front channels plus some extra drivers that sorta kinda contribute to surround effects (it's a long story). With Pink Floyd's "Money," the five-channel bar managed to break the cash-register effects free from the bar, about a foot out and to the sides. The three-channel version is the XTR-SSA3 ($799). Three new subs range in price from $599-799 and have remote controllable preset EQ modes. Coming this fall is the ProCinema 400 sat/sub set ($599).
The magic behind the curtain for the Future Technology Pavilion's big rear projection screen (above) consisted of six Digital Projection D-Vision 30-1080 DLP projectors, each responsible for filling one sixth of the image, combined with edge blending to hide the transitions from one projector to the other. These projectors offer a short throw, permitting a short, 9-foot distance from projector to screen.
Once you divide the high definition source image into six segments, each of those segments will be far smaller in pixel count. Each of these segments must therefore be upconverted to match the projector's native resolution. The processing is further complicated by the fact that the screen used here is 2.35:1, not the 16:9 that would be a direct multiple of the six projectors' native resolutions. In addition, allowance must be made for overlap where the images meet. An overlap of about 13% is needed to provide for the edge blending. And the edge blending itself requires major processing power.