No price, delivery date, or model number was offered on Samsung's 3D DLP video projector. It didn't look all that good, but possible culprits include the highly variable program material, the fact that the side of the booth opposite the screen was open to the well-lit show floor, the 3.0 gain screen (don't move off-center!), and seriously blown-out whites. But it did look much better than this prize-worthy photo.
A trip back to the Toshiba booth will be needed to get a look at Toshiba's demo of glasses free (autostereoscopic) 3D. The crowds waiting to see this technology were huge. Still, I think all the hoopla about 3D without glasses is going to leave a lot of people disappointed. I suspect that it will either be years away (if it's ever perfected at all—not all technical challenges have a ready solution) or a serious step backwards in image qualitywhether from Toshiba or anyone else. But I could be surprised. A similar demo from Sony, while hardly flawless, looked better than I expected.
While I don't have a great shot of Sharp's XV-Z17000 DLP 3D projector, it looked bright and beautiful on a 100" screen with a stated gain of 1.0. It was clearly one of the best 3D projectors I've seen so far, and also the least expensive at about $5000.
Here's a way to encourage your kids to write on the wallthat is if the wall is an LG Touch TV which functions like a huge, modern-day, multi-colored Etch-A-Sketch. It's also a 2D plasma HDTV. But it's clear that not all of us are Rembrandt.
I normally would have enjoyed viewing this 84-inch LG LCD/LED 3D 4K set immensely (though it's not yet an available product). It enables full 2K 3D with passive glasses. But dropping my camera, resulting in serious damage, sent me scrambling to the Canon booth to see if they recommended my having it repaired (not at the show, of course). They did not. I needed a new camera anyway. Fortunately, with three days of the show left, I had brought along a spare.
You'll probably read some blogs from our two-channel colleagues about The Sonus Faber, a fridge-size floorstander selling for $200,000/pair in a limited production run of 30 pieces. Playing a solo cello recording, TSF mustered some of the best sound at the show. But there were also brand new home theater worthy models at Sonus Faber's suite in the Venetian, namely the Toy Monitor Grand (center) and Toy Wall (upper righthand corner). They're sold in pairs, for $2,000 in both cases, but you can add the Toy Center for $995/each.
An intriguing part of Sony's enormous booth in the Central Hall discussed the "Monolithic Design" philosophy, which gives Sony Bravia TVs a commanding "on/off presence" -- in other words, they look cool whether the screen is active or dark. One aspect of the philosophy in action is a six-degree tilt that suits "low, contemporary furniture."
Dolby Home Theater v4 is, as the name suggests, the fourth-gen implementation of sound enhancement for PCs from Dolby Labs. It incorporates trickle-down technology from Dolby Volume (best known for its use in surround receivers) including volume leveling, dynamic enhancer, and spatial virtualizer. First of two demos at the Central Hall sanctum involved a laptop with and without DHTv4. It was a huge difference: muffled sound versus rather bright sound. In the second demo, another laptop bitstreamed into an Onkyo receiver with Focal sat/sub speakers. This time the benefits were more subtle, though still discernible: a larger soundstage and more solid imaging. The technology will be shipped with laptops including Acer, Lenovo ThinkPads, and more to be announced. In another corner of the Dolby booth a Nokia N8 smartphone with built-in Dolby Digital Plus (a high-quality lossy surround codec) mustered pretty good surround via Harman Kardon receiver and Focal floorstanding speakers.
As you'd expect, I'll start with a cheap joke: Each of these Silbatone Acoustics SGW-24 speakers can double as a studio apartment. Even if you have a roommate. But believe it or not, this massive horned loudspeaker has a plausible reason to exist in the home theater realm: It's an attempt to recreate Western Electric theater speakers from the early days of the talkies. Western Electric, in case you didn't know, was the manufacturing arm of the Bell System (later AT&T) for more than a century. Oh, and it was my father's employer for several decades, though he worked on the phone side of the business, not the cinema side. More on the SGW-24 here. Believe it or not, it had dynamic power, the focus associated with horns, and even a certain delicacy. But I would say that, being a Bell Baby.
The Principal Grand subwoofer from Vienna Acoustics packs a 12-inch pulp-carbon driver into an enclosure with two separate chambers for the 300-watt amp and crossover. The latter, as shown in the pic, is on the bottom. The company, which actually manufactures in Vienna, is fussy about its drivers, in this case source from ScanSpeak because it's important for a sub "to play more than one note." Amen. Pricing ranges from $3000-4000 depending on finish. Also shown was the Strauss Series In-Waltz in-wall speaker, with features derived from an on-wall cousin.
They include the T 787 ($3499) and T 757 ($1499) a/v receivers, with seven times 120 and 60 watts respectively, both fully up to date with HDMI 1.a for 3D compatibility. Also shown was the T 187 pre-pro ($2499). The pricier receiver and pre-pro can be outfitted with an optional Control4 module.