Another CEDIA come and gone. It was my fifteenth, and in many ways, the best yet. Like Fred, I'm very sad we won't be in Denver after this—he's right, that city is perfect for a convention. And from what I've heard, Atlanta ain't.
Integra has upgraded its DTC-9.8 pre-pro to the DHC-9.9 ($2000). The latter now includes Imaging Science Foundation's Certified Calibration Controls (ISFccc), which here provide separate high and low adjustments for red, green, and blue--for each input. The DHC-9.9 also adds THX Loudness Plus, Audyssey Dynamic Eq, and Audyssey Dynamic Volume. In case you were wondering, however, the DTC-9.8 cannot be upgraded to DHC-9.9 specs.
All of these features will also be included in Integra's top two receivers, the DTR-8.9 and the DTR-9.9.
Now You Don't. This fold out home theater seat, for that overflow movie night crowd, Salamander Designs' Jump Seat Ottoman is a footrest by day and a chair by night. $1000 and up, depending on finish.
This crank, located in the rear of the third generation Focal Grande Utopia (above) is provided to rotate the separate driver cabinets to the correct angular displacement, dependent on the listening distance.
The entire Focal Utopia line has been extensively re-engineered into its third generation. The flagship Grande Utopia EM ($180,000/pr) is shown. It's the first commercial loudspeaker system in decades (to our knowledge) and possibly ever (at least in the hi-fi era), to use an electromagnet in its woofer design. Electromagnets were common in the Paleolithic era, but were all but abandoned in the middle of the last century for the simplicity of the permanent magnet.
But the electromagnet has undeniable advantages, including adjustability, and in this case can be used to tailor the characteristics of the speaker's bass to suite the music, the listener, and the room.
Artison introduced the new Art line of line-array speakers. Shown here is the Art 40M, which utilizes 80 0.75" full-range drivers and is said to respond down to 80Hz. 40 of the drivers face the front, the other 40 are angled toward the center; the left-right speaker pair is designed to perform the duties of the center channel, as well. $6000/pair
Sony's new XBR8 series uses LED backlighting with local dimming. Shown here was a demo setup in which you can see a single cluster (of the many--number not specified which will be positioned behind the panel) of red, green, and blue backlights. The interesting feature here is the presence of two green LEDs. That's not so puzzling when you realize that in our HD color TV system the luminance signal is encoded with more green information than red and blue put together.
If I had to pick a single obvious trend at this year's CEDIA Expo, it would be 2.35:1 anamorphic projection using an add-on anamorphic lens. At least five lens manufacturers were showing product, and all but a few projector manufacturers were featuring some sort of 2.35:1 anamorphic projection. (The fact that our October 1008 issue, distributed at the show, featured an article on this type of setup was a happy coincidence).
One of the big themes are CEDIA this year was 3D, and Da-Lite was in the thick of it with a new screen material called 3D Virtual Grey (though I would have used the American spelling "Gray"). Designed for 3D applications, the material is said to retain 99% of the incident light's polarization, which is the key to achieving a good 3D effect using polarized light and passive glasses. The demo looked quite good, smoother than most I've seen, which could be due in part to the fact that the real-life material was shot stereoscopically with two cameras and the CGI was created specifically for 3D.
High-end Blu-ray players made quite a showing at CEDIA, including the BDP-S5000ES from Sony, shown here from the front and back. It's BD-Live, and it even comes with a 1GB USB memory module to enable that functionality. The player decodes all the advanced audio codecs and offers a 7.1-channel analog output. It should start shipping in November for around $2000.
Video guru Joe Kane was demonstrating the Samsung SP-A800B projector that he helped design (review forthcoming), but it wasn't on a Stewart screen as usual. Instead, he was using a new screen material he developed with Da-Lite. Dubbed JKP Affinity (JKP = Joe Kane Productions), the new material is exceedingly flat with no diffusing granules as on many types of projection screens. This is said to improve flat-field uniformity and depth of modulation by reducing light scatter, leading to greater detail and contrast because adjacent areas of the image don't interfere with each other. The current material has a gain of 0.9 and should be available in a few weeks. The demo was impressive indeed, with exceptional detail and uniformity; can't wait to shine my light on one.
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