Yoda takes a group of Jedi younglings on a field trip to the Galactic Senate chambers when he suddenly feels a disturbance in the force and must leave the children. C-3PO and R2-D2 take over and find themselves in over their heads with the rambunctious force-sensitive group. As the Sith prepare to wreak havoc, it's up to Yoda and a young stowaway to save the day before the children are torn to bricks.
LEGO and Lucasfilm have collaborated on multiple projects including other mini-films, over 200 LEGO models, 275 minifigures, and Saga-inspired video games (which are extremely well done). Featuring situations, characters, and locations from throughout the entire Star Wars Saga, writer Michael Price captures the spirit of the franchise with a story is filled humor, adventure, and a surprise guest or two.
Straight-laced Cal Weaver (Steve Carell) is living the dream with a good job, nice house, and a seemingly happy marriage to his high school sweetheart. But when his wife drops the bomb that she's been having an affair and wants a divorce, he becomes a fish out of water when he enters the dating game again. Enter young Jacob (Ryan Goling), a guy Cal meets at a local bar who takes the older man under his wing in order to teach him how to be a ladies' man and to forget his ex-wife.
Deep in the heart of the African savanna, a rivalry between two lion prides takes place while a cheetah family tries to stick together. Mara is an endearing lion cub who strives to grow up with her mother's strength, spirit, and wisdom, but an accident threatens to make her an orphan. Then there's Sita, a fearless cheetah and single mother of five newborns who must try and keep her cubs alive until they can fend for themselves. Finally, there's Fang, the leader of the pride who must defend his family from a rival lion clan that is looking to take over his land.
Three friends, Nick (Jason Bateman, Kurt (Jason Sudeikis), and Dales (Charlie Day), are slaving away at their jobs in Los Angeles and have one thing in common; they each have horrible bosses. One night they hatch a foolproof plan to murder them and hire an ex-con (Jamie Foxx) as an adviser. Well, he isn't what they expected and their foolproof plan has a very likely chance to get them thrown behind bars for the rest of their lives.
Roald Dahl's classic story tells the tale of five kids who find a golden ticket that entitles them to visit the secretive Wonka Chocolate factory, where one worthy child will win a lifetime supply of chocolate. Charlie Bucket (Peter Ostrum), a poor kid who lives with his mother and two sets of grandparents in the shadow of the factory, is one of the lucky five. The others—well, let's just say they are the result of bad parenting and poor choices.
In 1959, a UFO crash-landed on the moon and it was the true catalyst for space race between the US and Russia as they hurried to investigate the incident. In present day, the Autobots become aware of the crash and race to the moon to do their own investigation. Onboard the spacecraft they discover a deactivated Sentinel Prime who can only be reactivated by Optimus Prime, who is curious what happened so many years ago.
City-boy Ren (Kevein Bacon) moves to the small Midwestern town of Beaumont and quickly learns that dancing and popular rock music has been banned. He befriends Ariel Moore (Lori Singer), the daughter of the popular preacher who's leading the charge for the "no fun zone," and a line is drawn in the sand between hometown values and teenage fun.
According to the painstaking research I performed before writing this review (i.e., looking at Wikipedia for all of five minutes), Charlotte Brontë’s proto-feminist novel (I cribbed that phrase right from the wiki, FYI) had been adapted at least 15 times for the silver screen and an additional 10 for television before this year’s revival. That’s to say nothing of the other numerous attempts to sequelize, prequelize, or retell the story in literary form. What is it about this book that inspires so many people to tell the story until someone finally gets it right?
On the evening of April 14, 1865, President Abraham Lincoln was shot and killed in Ford’s Theater in Washington, D.C. Twelve days later, his assassin John Wilkes Booth, perished while barricading himself in a barn rather than surrender to the Union Army. In the tumultuous weeks following the assassination, a web of conspiracy was uncovered, and a number of Booth’s accomplices were arrested and put on trial.
Set behind the scenes of the BBC newsroom as an investigative news program is launched, the drama plots the personal lives, professional interplay, and jealous ambition between aspiring journalist Freddie Lyon (Ben Whishaw), ambitious young producer Bel Rowley (Romola Garai), and Hector Madden (Dominic West), the face and lead anchorman of this rising television news team. A love triangle ensues and the intense ambitions between the rising news team plays out against the backdrop of a mysterious murder and Freddie's controversial and dangerous investigation.
The Pritchett clan has Jay (Ed O'Neill) as the patriarch who's married to his much younger Columbian wife Gloria (Sofia Vergara). Along for the ride is her old soul 11-year-old son, Manny (Rico Rodriguez), who is wise beyond his years but doesn't exactly mesh with his stepfather. Jay has two grown children from his first marriage, Claire (Julie Bowen) and Mitchell (Jesse Tyler Ferguson), who have families of their own. Each family has their unique traits and when they all get together they form a very interesting and hilarious modern family.
Stanley Kubrick’s The Killing is a nifty film noir with brisk dialogue (by noir novelist Jim Thompson) and brushstroke characters. It features a taut narrative within a daringly fitful structure (the plot starts over and over, charting the events from different points of view, leading up to the climax) and an ending straight out of O. Henry. The story line is fairly conventional—a racetrack heist, the mastermind who devises it, and the gang of misfits who try to pull it off. But the theme—human foibles trumping the best-laid plans—anticipates many Kubrick films to come, notably Paths of Glory, Dr. Strangelove, and 2001: A Space Odyssey. This is also the first film where Kubrick, just 28 years old, displays a master director’s touch: a keen visual sense, both for the composition of the frame and for the fluid camera motion (it seems to be moving almost constantly). The acting is a bit outsized, but so it is in most Kubricks, and as with most, it fits the movie’s mood. This one marks his first association with Sterling Hayden, who’s very fine as the methodical planner: mordantly witty, slow-burning with desire to break through life’s trappings, and in the end stoic about his prospects.
It’s a long-held myth that the average human being can access only about 10 percent of their brain capacity at any given time. For me, it happens to be true, and that’s on a good day, but I digress. Now imagine if you could take a pill that would give you complete and total brain function. The possibilities would be, well, limitless.
Philip K. Dick struggled to make a living as a science fiction writer through the majority of his life. It wasn’t until shortly before his death that Do Androids Dream of Electric Sheep? was adapted to the screen and became the classic Blade Runner. After his death in 1982, nine additional Dick stories have turned into feature films, including box-office successes Total Recall and Minority Report. His latest adaptation is from his short story The Adjustment Team, in which humanoid creatures can influence people’s lives without them knowing in order to ensure that they comply with a mysterious Plan orchestrated by the Chairman.
A rogue CIA agent (Eric Bana) lives in a desolate area of Finland training his 16-year-old daughter (Saoirse Ronan) to become the perfect assassin. Every moment of the girl's upbringing has been spent building up her strength, stamina, and survival instincts she needs to prepare for the day when she becomes the target of a revenge seeking intelligence operative (Cate Blanchett).
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