Over thirty years ago, B&W Loudspeakers set out to build a speaker that would set the standard in sound and build quality, a speaker that other companies would strive for years to keep up with. Today, there is little doubt that B&W's goal was achieved. In fact, the designs of yesterday were so successful that 80 percent of all classical recordings are monitored using B&W loudspeakers.

When a speaker company changes hands, particularly when it is sold by its founders, a new design team often comes on board. That can be a tricky affair. Like passing a baton in a relay race, if it's not handled smoothly, or if it's dropped, sometimes there's no catching up and the race is lost. That almost happened to giant Harman International when it bought Infinity from Arnie Nudell and Cary Christie. Both men ultimately left to pursue other ventures. It took years for Infinity to fully regain its footing, which it did with the rollout of the outstanding, high-tech Prelude system, reviewed by Joel Brinkley in the July/August 2000 issue of SGHT.

Even if you're not a baseball fan, you've probably heard of Mark McGwire. After crushing the previous single-season home-run record a couple of years ago, McGwire continues to pound the ball out of the park to the delight of Cardinals fans everywhere. Yet, despite his imposing form and incredible swing, McGwire (like most power hitters) strikes out with some regularity. Of course, who's going to complain to a guy who has hit 72 home runs in a single season?

Something that never fails to irritate me is an intemperately enthusiastic review of an outrageously expensive product. I'm sure this is partly because I hate reading about something that might just be every bit as good as the reviewer says it is when I can't afford to buy it. But I think the greater part of my pique is because I suspect the reviewer was so awestruck by the product's princely price that he couldn't bring himself to find fault with it. Oh, sure, he'll pick a few nits just to show how perceptive he is, but his "report" will essentially be an exercise in idolatry, with nary a question about value for money.

Having spent the first 18 years of my life in the great state of Alaska, it seems only natural that I've developed a taste for some of Canada's finer exports. As if hockey, some tasty rye whiskeys, and all that fresh powder that sweeps down upon the western ski resorts from the north weren't enough, the disproportionately high number of quality loudspeakers produced there intrigues me, as well. There may be fewer speaker manufacturers in that entire country than in certain regions of the U.S., but I'll wager that Canada's ratio of solid to subpar speaker offerings will hold its own against any other country in the mix.

When Pioneer commissioned Allen Boothroyd, a British industrial designer best known for his work with Meridian Audio, to come up with a unique appearance for its new surround-sound speaker system, they apparently knew what they didn't want: another boring set of square boxes. Nor did they want a speaker system that would blend into Ethan Allen surroundings.

In the summer of 1996, SGHT editor Lawrence Ullman made me an offer I couldn't refuse: "Wes," he asked, "how would you like to review M&K's new THX speaker package?"