In a Reflective Mood

It is rare for a carton to put a smile on my face. A lot of cartons trample through my modest living and working space. They are a necessary evil in my work as a reviewer that’s redeemed only by their contents. But the carton that housed the Mirage MX satellite/subwoofer set made me grin when I picked it up in my doorway. It weighed all of 20 pounds, portending a review process without physical rigors. I deposited it in my bedroom along with the other treasures that live there—my books, my LPs, my bags of speaker cable, my collection of styrofoam popcorn and plastic bubble packing, not to mention my bed—and forgot about it until the time came for its debut in the listening room.

Transcend Music Reproduction

If you’re a home theater enthusiast or audio purist who follows the high-end speaker market, you’re probably familiar with Pioneer’s line of TAD loudspeakers and their reputation for exquisite sound reproduction. It all started with the TAD Model-1, which drew rave reviews with its concentrically aligned beryllium midrange and tweeter. Priced at $45,000 per pair, they were obtainable for only the wealthiest audiophiles.

What’s in That Black Box?

What if you opened up your home-theater-in-a-box system only to find—another box? Would you suspect you had suddenly plunged into an unpublished chapter of Through the Looking Glass, a strange alternate universe where boxes contain boxes? Would you be afraid that inside the second box, there might be a third box? And inside the third, a fourth? Was dropping acid and going to the Museum of Modern Art in 1978 really such a good idea?

Ringin’ the Bell Curve

The Vision and Sound speakers from Boston Acoustics were in my listening room when a friend visited. He works for a competing manufacturer and has spent time on the retail floor. He said, candidly and emphatically, “Boston Acoustics has never made a bad speaker.”

Building a Better Satellite

Energy has always taken satellite/subwoofer sets seriously. The Canadian speaker brand, recently acquired by American-owned Klipsch, got into the sat/sub game early with the now legendary Take Five package. As successive Take products became steady bestsellers and proceeded through multiple generations, Energy established itself as a major name in sats and subs. It also helped turn the sat/sub set into a respectable product category. This especially applies to décor-conscious households that like to have surround sound but balk at the prospect of five to seven bulky speakers hogging a room.

Like the dinner guest who invariably brings a bottle of fine wine and flowers for the table, Dynaudio is welcome in these pages. The suave Danish manufacturer never fails to entertain with its scintillating conversation—both musical and cinematic. Yet its products are down to earth and mindful of the fundamentals. You don’t need to be a golden-eared audiophile with years of critical listening skills to “get” Dynaudio. Nearly everyone can understand the qualities that animate products like Dynaudio’s new Excite range. They appeal to anyone who knows what a human voice sounds like, how musical instruments sound, and even what it should feel like when a car runs off a cliff and explodes.

When Definitive Technology originally introduced its Mythos line of speakers, the slender, curved, aluminum-cabinet tower models were matched by equally svelte, under-5-inch-deep on-wall and center-channel models using the same form and style turned horizontally. A while ago, the company literally expanded the Mythos center-channel speakers by packing the front LCR speakers