I've always had a thing for the Atlanta Symphony Orchestra's recordings. Their long standing relationship with Telarc is probably why. I've had a long standing relationship with Telarc too. Well before I was a reviewer, I was just a rabid stereophile (the avocation, not the magazine) and I read every issue of Stereophile (the magazine, not the avocation), cover to cover. Telarc and Delos recordings were always spinning on their reviewers' CD players. I bought a few, like Respighi's Pines of Rome , Louis Lane conducting the Atlanta Symphony Orchestra, and Aaron Copland's Appalachian Spring, Rodeo and Fanfare for the Common Man, with Lane at the helm of the ASO once again. The recordings were excellent, No excellent is too tame a word. They were – they still are – exquisite. Expansive as the universe, as civilized as infinity, and punctuated with their trademark Tympani kicks that separated the boys from the men when it came to seeing whose audiophile tweaked system was better than whose.