Two subs in Paradigm's Signature Series have hexagonal enclosures to defeat bass-polluting vibration with six drivers inside. The SUB 1 has 1700 watts and sells for $4499. The SUB 2 has 4500 watts, sells for $8999, and will be a limited production run, so act fast if you want it. Of course all the brawn in the world still won't provide tuneful bass if your room's standing wave is muddying the waters -- but these elite subs use Paradigm's Perfect Bass Kit to measure the room and apply appropriate correction.
At $50,000/pair, the Adrenalin monoblock from Pathos is a serious investment. But for all that bread, you get 180W of pure class-A power with a tube input stage and MOSFET output stage. And it looks wicked cool, too!
Former Spice Girl “Scary Spice”, Mel B, and current star of both “Mel B: It’s a Scary Life” and “Dance Your A** Off” is getting some Phase Technology, Induction Dynamics, and SoundTube speakers in her (no doubt, plush) home in California. I’m sure as part of a quid pro quo, Mel B is going to appear at the Phase Technology/Induction Dynamics/SoundTube (all part of the MSE Audio Group) booth on Friday, September 24th, in order to sign autographs and attract as much attention to the booth as possible. I was never a fan of the Spice Girls, nor do I watch any of Mel B’s current TV efforts – but I will go by the booth; not on Friday, though, because they’re having free beer on Thursday. (I’d have gone by regardless of the free booze since Phase Tech is one of my favorite all-around speaker companies.)
The five small satellites in Phase Technology’s new $930 CineMicro One 5.1-channel speaker system use all-wood “acoustically neutral” curved enclosures, Absolute Phase crossover networks, and long-throw woofers. The sub that’s included in the package incorporates an eight-inch down-firing woofer in a rear slotted-port design and a built-in 100-watt amp.
Pioneer speaker guru Andrew Jones, designer of Pioneer's Elite line of speakers and even more up-market (very upmarket) TAD designs, has been busy at the other end of the market. The very other end. The new Pioneer Audio Artistry by Andrew Jones line of speakers starts below $80/pair for the C-1 center channel and tops out at $199/pair for the biggest bookshelf model, the BS-41!
Andrew Jones of TAD has been designing hugely underrated speakers for Pioneer for years. Until now his bleeding-edge designs have been high-priced. But the SP-BS41-LR hits a new low price point of $199/pair in hopes of moving units through big-box retailers. The curved cabinet is cooked and formed, in lieu of the more conventional cut and fold process. Center and surround models are available to form a 5.1 system that will go for under $1000. The slim tower at far right is the Series 9, whose drivers were designed specifically for the enclosure. A vertical tube feeding out the bottom sucks away standing waves.
While Procella did not have any new product to show at CEDIA 2010, it did demonstrate a concept it had talked about before: the first THX-certified screening room. Designed and constructed to THX specs by Epic Home Cinema, it featured products from Runco, Integra, QSC, Meridian, and Stewart. More details here. Played at THX reference level, the sound was loud enough to shave ear hairs at a thousand paces, with especially tuneful and delicious bass, something almost unheard of at a trade show. Chuck Back was kind enough to pose for a scale pic of the P18 sub but blinked while our auto-focus was taking its time. Apologies.
Procella Audio introduced its speaker line to the US market at last year's CEDIA Expo, but they are only now starting to ship here. The P815 ($10,000 each), leftmost in the photo above, consists of two sealed cabinetsone for a 15-inch woofer and the other for a 8-inch midrange and 1-inch compression tweeter in a custom-designed waveguideand each cabinet is powered with 700W of onboard class-D amplification. The passive P8 ($2600 each) and P6 ($1600 each)hanging on the wall in this photoboth sport the same 1-inch compression driver with an 8-inch and 6.5-inch woofer, respectively.
A trio of powered subwoofers includes the P18 ($10,000) with dual 18-inch drivers and 700Wx2, P15 ($6000) with dual 15-inch drivers and 350Wx2, and P10 ($4000) with dual 10-inch drivers and 350Wx2.
Audio demos at trade shows are nearly impossible to conduct without noise from the show floor intruding. And hotel rooms are hardly ideal venues, either. So it was with great fanfare that
Procella announced it would have the world's first THX-certified demo room at CEDIA. The free-standing room was first assembled and certified off-site, then broken down and reassembledand re-certifiedin the convention hall.
Direct-to-consumer Emovita introduced a higher-end line aimed at distribution through CEDIA installers. The PMC-1 (shown here on top) is a 7.1-channel pre/pro with a fully-integrated Control4 HC200 controller built-in. The PMC-1 includes only HDMI switching with no legacy video inputs, so you’ll have to get a component-to-HDMI adapter to connect your Wii to it. The PMA-7350 (on the bottom) is a matching 7 x 350 watts amplifier. Shipping is expected to start in the first quarter of next year.
There are, at present, two ways to view 2.35 movies on a 1920 x 1080 HD projector. First, you can tolerate the black bars on a 16:9 screen (or use a 2.35:1 screen and zoom the image out to let the black bars spill off the top and bottom). Second, you can use an anamorphic lens, together with video processing, on that same 2.35:1 screen. Engineers at Projectiondesign have a third way. Working with Texas Instruments, they have incorporated a 2538 x 1600 0.9"DLP chip into their new Avielo Optix SuperWide 235, a single-chip, 2-lamp, 2D digital projector. Using a 2538 x 1080 central area of this chip, they can project a 2.35:1 image onto the screen with 1080 pixels of vertical resolution.
Projectiondesign's press conference concentrated on the Optix SuperWide 235 (around $39,000 with a standard lens), whose DLP imaging chip boasts a native resolution of 2560x1600, though this model uses only 1080 horizontal lines. This projector can display any aspect ratio from 1.33:1 to 2.40:1 at constant height without needing an anamorphic lens or zoom memories, which rob the image of brightness. For wide-screen Blu-rays, it scales the image vertically and horizontally using Sigma Designs VXP processing and two custom FPGA (field-programmable gate array) chips to fill the 2560x1080 pixel structure and maintain a 12-bit color depth per channel.
The demo was shown on a 13-foot-wide Da-Lite Affinity screen (1.1 gain) with a hand-built prototype with only one of two lamps in operation, so we were seeing a peak-level of about 7.5 foot-lamberts. Clips from Paul Blart: Mall Cop and Spider-Man 3 looked quite good, though I would not have chosen Paul Blartwhat an awful movie!
PSB's Paul Barton insists that his new CS100 Universal Speaker can go anywhere inside or outside, though at $499/pr we'd at least be inclined to put it under an outside eave or something to protect it from a severe drenching. And don't try to use it under water; it's not a below water pool speaker. Apart from such abuse, however, it could well be just the ticket for singing in the rain.