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There are, and have been, lots of movements in the world: political (the Tea Party and Occupy Wall Street), social (abolition, women’s suffrage, and prohibition), artistic (Impressionism, Dadaism, and WTFism), and of course, bowel (but I digest…er, digress).

When it comes to subwoofers and speakers, air movement is of particular import. If you want loud, low bass, your woofers are going to have to compress a lot of air. For movies, it’s especially enjoyable when your subwoofer has enough spunk to cause the floor under your feet and the seat under your butt—and even your body’s chest cavity—to vibrate during those massive, over-the-top Hollywood explosions or through the low rumble of an earthquake. These are sensations that you feel more than hear.

In the world of fine art, the name Dal conjures up images of flaccid clocks created by a mustachioed wild man. But in high-end audio, DALI is an acronym for Danish Audiophile Loudspeaker Industries. Since 1983, DALI has been producing speakers for the home entertainment market. With a staff of just over 60, DALI doesn't rate as an industrial behemoth, but it does display the kind of creative independence that leads to big things. DALI does all their R&D work in-house, and instead of being built on a standard production line, their speakers are assembled by two-person teams. Although DALI is better known in Europe than in the US, their new line of Euphonia home-theater speakers should change that.

Performance
Build Quality
Value

At $799, the diminutive Definitive Technology SuperCube 4000 isn’t “recycle enough aluminum cans and buy it” cheap, but it’s still in the reasonably affordable price range for a large percentage of home theater enthusiasts. Although Def Tech calls it a SuperCube, the actual dimensions are 11 inches wide x 11⅞ inches tall x 12 inches deep, which isn’t strictly a cube according to my high school geometry book. Evidently, SuperApproximatelyACube and SuperCubeLike were already trademarked, so Def Tech had to settle for the close-to-accurate SuperCube. Regardless, the compact size makes it super easy to place in a room, and fairly inconspicuous wherever you place it. Don’t let the SC4000’s small form factor fool you, though, because it’s one of the most feature-packed and easiest-to-set-up subwoofers I’ve encountered, regardless of price. It’s also surprisingly heavy (around 25 pounds) for its size.

The Earthquake SuperNova could be the world's most dangerous end table. No amount of Krazy Glue will repair the heartbreak of the unwary soul who dares place the family-heirloom Tiffany lamp or Waterford vase on this compact subwoofer. This is not a New Age sub disguised as a fine piece of furniture, a veneered life-style block

When it comes to surround-speaker systems, good things rarely come in small packages. Microsatellites and little subwoofers typically sound thin and anemic, with poor tonal balance and low volume capabilities. Yet there are many situations (e.g., small apartments, dorm rooms, guest rooms) in which such speakers would be ideally suited, if only they produced a reasonably good sound.

Last month's Home Theater featured an in-depth look at subwoofers. I hope that you were left with a feeling of understanding rather than confusion. If I hit my mark, you should not only be a more-knowledgeable consumer, but you should enjoy the inner workings of your theater more.

The history of high-end audio and video is littered with companies who made fine products but failed. Kloss Audio/Video, California Audio Labs, and Dunlavy Audio are but a few of the illustrious firms that did not survive. Genesis almost joined these ranks. Founded in 1991 by Arnie Nudell, Paul McGowan, and Mark Shifter, Genesis quickly made its mark with outstanding speakers and digital electronics. Yet in December 2001, Genesis closed its doors.