Take Aim at Bass Bloat

Mordaunt-Short’s Aviano is a new speaker line from a British company that’s been making high-performance speakers since 1967. Since then, we’ve seen the rise of Japanese-made mass-market A/V receivers, the advent of surround sound for home theater, and lots of new speaker categories from sat/sub sets to soundbars to in-walls. On these tumultuous seas, Mordaunt-Short remains seaworthy by concentrating on the fundamentals of performance and, more recently, value.

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Life is full of strange synchronicities. Around the time my friends in the country were posting pictures of their spring mushroom harvests on Facebook, I just happened to be setting up Morel’s SoundSpot Music Theatre 2 Ultra, a 5.1-channel satellite/subwoofer set based on the adorably spherical SP-2 sat and PSW10 sub. Would Morels in my system sound as good as morels taste on pizza? In omelets or pasta? With steak or veal? With asparagus? In wine or cream sauces? In gravy?

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Feel-Good Sensation

Consider the mini-monitor. It’s smaller than a monitor and bigger than a satellite.

If the mini-monitor in question is the NHT SuperZero 2.0, it doesn’t have much bass and therefore needs to be mated with a subwoofer. But in the surround arena, where subs are standard equipment, bass-shyness is not so much a weakness as a characteristic.

One thing you can't say about speaker designers and manufacturers is that they haven't been busy over the last 10 to 15 years making drastic changes to the standard speaker form. There may have never been another period like it in the annals of speakerdom. What you can debate, however, is what the driving force for all of this change has been. It strikes me that a good portion of it has been aesthetically and ergonomically motivated, and far less of it has been geared toward making speakers sound better. Now don't get me wrong—I'm not here to trash flat panels, in-walls, wireless speakers, or anything else. Some of these designs can sound very good, despite their inherent compromises, and they are getting better as they mature. They all have their purposes, and many of them have well served people who may not otherwise be interested in speakers outside of those in their televisions, or those folks who aren't willing to give up floor space to accommodate speakers. But special congratulations must be given to those speaker makers who, either through new technologies and designs or not, are actively trying to improve the sound quality of such designs. This quest is as important now as it has ever been.

The promise was enticing: A compact wireless speaker system offering “exceptional” performance with the option of using an outboard digital-to-analog converter (DAC) to achieve a “much needed, audiophile-grade alternative to mediocre wireless sound.” Amen. The last thing the world needs is another pair of bad-sounding wireless speakers.

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Spherical loudspeakers are perhaps too easily dismissed: “Oh look, it’s round. Cute gimmick. Next…” That box speakers are easy to build certainly doesn’t guarantee sound quality. In fact, designers of quality speakers are constantly rebelling against the limitations of rectangular enclosures. To curb cabinet resonance, designers build bracing into the box and stuff the interior with damping material. They curve the sides to stop standing waves from developing between parallel walls. But rather than tweak boxes, some do away with them altogether. So if you think the spherical steel shells of Orb Audio’s People’s Choice satellite speakers are mere gimmicks, think again.

Outlaw Audio has tenaciously earned a reputation as a maker of well-thought-out surround electronics, speakers, subwoofers, and other products. The company offers a favorable performance/price ratio by selling directly to the consumer via the Internet. And once in a while, it gets downright iconoclastic, dramatically rethinking flawed product genres and pushing them unexpectedly forward. The Outlaw LCR loudspeaker is one of those.