Three identical stand-mounted speakers in front, two on-wall speakers in back—that's the unusual configuration I used in this review of the Canton GLE Series. Now I've got some explaining to do.

My sociological spiel about the French in my JMlab Digital Home Cinema System review (April 2003) inadvertently hit newsstands around the start of the war with Iraq, so I'll limit my wantonly idiotic cultural commentary on the Germans to food and drink references. Have you ever tried their smoked beer? I'm not joking. It's called Rauchbier, and it's delicious. I should note that, although my byline is German, my ethnic makeup is German, English, Scots, and Irish, and they all make good beer. My oft-misspelled name literally translates as "meat man" (no jokes, please), and my great-grandfather was the last in a long line of sausage-makers. After he emigrated from Germany, he continued to practice his craft in New Jersey. According to my father, his sausages were so rich that you had to wash them down with a quart of milk.

Nowhere is the universal human desire to get something for nothing more evident than in consumer electronics. While I'm always amenable to reviewing mass-market gear that offers high value to the consumer, I also spend a large portion of my time convincing more discerning listeners that an investment in higher-priced gear is really worth it. Why, then, would I work up a froth of enthusiasm for a modest subwoofer/satellite set like the DCM Cinema2? It would be convenient simply to say that I heard it and liked it, but the truth doesn't always lend itself to a glib lead.

Flat-panel TVs—both plasma and LCD—are wall candy. I've never heard anyone say, "I'm going to buy a plasma TV because the picture looks so much better than what you get from a (fill in your favorite display technology acronym here) projection TV." Nope. People buy flat-panel TVs for one or more of three reasons: they're thin; they're cool; and, boy, do they make your friends RGB with envy. Half a millennium ago, I'm sure that people who could afford it covered their walls with the finest tapestries for exactly the same reasons. Is it any wonder then that panel after panel goes into homes with teeny, tiny, embarrassingly little home-theater-in-a-grocery-bag speakers next to them—or simply with no speakers at all? I blame the salespeople (or lack thereof). I blame the imperialistic, aggressive TV manufacturers who would have us all on bended knee in subservience to the great, glowing flat-panel on the wall. (Talk about must-see TV. . .) And I blame AM talk radio for convincing people that the idea of really good audio cohabitating with nice video is just another wacko liberal concept that will undermine this country. (Yeah, I have issues.)

How Perfect Can Perfect Get?

It’s always a big deal when Definitive Technology introduces a new speaker. Why? Well, as I’ve written in the past, the company has hit as many home runs as Mark McGwire—without the engineers taking any banned steroids, testosterone supplements, male-enhancement products, or vitamins. (That last part about the vitamins probably isn’t true. I’ll leave it to your imagination about the rest.) In the same way fans watched with anticipation and cameras flashed every time McGwire came up to bat, those of us who are lucky enough to do this sort of thing for a living eagerly await the chance to get our remote-control-stained hands on any new Definitive Technology speakers. Unlike with McGwire, it would be big news for the Definitive Technology team to strike out. None of us sitting in the press box really expect that to happen, though. We’re most interested in finding out how good the new speakers are going to be.

Pricewise, these Definitive Technology ProCinema speakers and this Pioneer Elite A/V receiver are a perfect match. Even visual cues unite them, with the receiver's shiny-black metal faceplate echoing the satellite enclosures' black-gloss curve. In other ways, they may seem like an odd couple (or septet, rather). Wouldn't that big receiver be too much for those little speakers? No, say the specs. With the satellites rated to handle as much as 200 watts per channel, the receiver's hefty rated 140 watts are well within the acceptable range, although the speakers' 90-decibel sensitivity suggests that they'll play fairly loudly, even with a lower-powered amp. Therefore, it is legal to marry these speakers to this receiver, at least in Massachusetts, Canada, Spain, and the Netherlands.