Price: $1,800 At A Glance: Proprietary HDAM topology • 4K video processing • Audyssey, the works
Marantz has come a long way since Saul Marantz started building audio products in his Kew Gardens, New York, basement. The latest twist in the story is the reinvention of D&M Holdings—that’s D for Denon and M for Marantz—into D+M Group. In addition to trading its ampersand for a plus sign, the company has radically expanded its product lines to include more new products and even new product categories. While Denon has gotten a lot of attention for the latter, including four jam-packed headphone lines, Marantz is also experimenting with new kinds of fun. Its first self-contained iDevice docking system is the Consolette, with a retractable dock, AirPlay, DLNA, Internet radio, two-way internal speakers, and cosmetic echoes of the Saul Marantz–designed preamp that got the party started. But Marantz has not neglected its longtime status as a maker of great home theater products. An overhaul of its audio/video receiver line’s upper end has brought three new models. The top model soon found its way into the guest-receiver berth on my rack.