AV Receiver Reviews
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AV Receiver Reviews
Shane Buettner Sep 13, 2006 0 comments
  • $1,499
  • 75-Watts x 5 into 8 ohms
  • DD, DD-EX, ProLogicIIx, Dolby Virtual Speaker, Dolby Headphone, DTS, DTS-ES/Discrete/Matrix/Neo: 6, MP3, MPEG multichannel, HDCD
Features We Like: HDMI 11 switching, transcoding of composite and S-Video to component video, three coaxial and two toslink digital audio inputs, one 7.1-channel analog audio input, preamp outs, expandable to 7.1-channels, massive overbuilt power supply, multi-source/multi-zone
AV Receiver Reviews
Mark Fleischmann May 04, 2009 0 comments
Price: $1,999 At A Glance: Rotel enters the HDMI 1.3 age with two new receivers • Rated power at 75 watts times five • Snazzy aesthetics, minimalist user interface

Family Matters

Longtime readers will recognize the Rotel RSX-1065 as my reference A/V receiver. It’s been around so long that it’s no longer listed on Rotel’s Website. Mine has been in service since 2001, when I reviewed it, setting a record for longevity and giving every loudspeaker review I’ve written since then a firm foundation. When I tell speaker makers what I use for amplification, they breathe a sigh of relief and change the subject. Even the arrival of the seven-channel version, the RSX-1067, left me unfazed. The five-channel version has served me for nearly eight years.

AV Receiver Reviews
Mark Fleischmann Jun 22, 2009 1 comments
Price: $2,599 At A Glance: High-end implementation of Class D amplification • Among first Rotels with HDMI 1.3, lossless surround decoding • Faroudja video processing but no auto setup

It’s Not Easy Being Green

Energy will likely be the defining challenge of our lifetimes. We use a lot of it but need to use less, so the ways in which we use it must become more responsible, creative, and resourceful. Will home theater continue to add to the quality of life in an energy-scarce future by bringing us closer to music and movies? Or will we write it off as just another accessory of sprawl, soon to be ruthlessly un-supersized? Is it possible to enjoy big pictures that are accompanied by big sound, while using less energy? This is the stage onto which the Rotel RSX-1560 A/V receiver walks, before an audience that is holding its breath.

AV Receiver Reviews
Mark Fleischmann Jun 08, 2012 5 comments
Audio Performance
Video Performance
Features
Ergonomics
Value
Price: $2,599 At A Glance: ICEpower Class-D amplification • Bluetooth- and iOS-compatible USB • No room correction or low-volume mode

How would you like your audio/video receiver if it had a coal chute and chimney atop the chassis? Would you enjoy shoveling coal into the chute as the chimney belched black smoke and particulates into your home?

Or would you find this entire arrangement so unhealthy, so 19th century, as to be unbearable? Most people probably would prefer to avoid burning coal when sitting down for movie night or putting on some music. And of course, there are no A/V receivers that run directly on coal. But don’t fool yourself. Coal is the single-largest feedstock for electricity generation—not only in developing economies like China, but in the United States as well—far outpacing natural gas, nuclear energy, and other sources.

Mark Fleischmann Oct 24, 2011 0 comments
Audio Performance
Video Performance
Features
Ergonomics
Value
Price: $600 At A Glance: A/V receiver with Blu-ray player • Trove of network A/V content • Supplied iPod/iPhone dock

Whenever I want to watch a movie, I plunge a fiberoptic cable into the back of my neck. Apart from a persistent dribble of blood from my neck jack, the results are enviable. In my mind, I experience a full 360-degree 3D image—there’s not even a frame—accompanied by surround sound with height and depth channels that extend from heaven to hell. Music is just as easy. I just access the 100-zettabyte solid-state drive built into my brain. My doctors tell me that with one more firmware update, I can have lossless audio with a bit depth of 831 and a sampling rate of 90,245 kilohertz. Almost as good as vinyl.

AV Receiver Reviews
Michael Fremer Feb 27, 2005 0 comments

When Apple introduced the iPod, many industry observers scratched their heads, wondering why Sony hadn't been the first to deliver such a product. After all, Sony had invented the Walkman—the first speakerless, portable personal audio cassette player, and Sony has a strong presence in the computer market. Perhaps heads get buried in the sand when you're promoting a new high-resolution audio format and the world is heading in the other direction. It's human and corporate nature.

Kevin Hunt Oct 15, 2004 Published: Oct 01, 2004 0 comments
1-Bit o honey.

In a previous lifetime, the Sharp SD-PX2 was probably a too-cool 1940s Bakelite radio—boxy, plastic, and proud of it. The SD-PX2 DVD/receiver is a certifiable forward-thinker. Utilizing Sharp's 1-Bit digital amplifier technology, the streamline SD-PX2 packs a DVD player and receiver into a stand-up chassis that, at only 4.5 inches deep, wouldn't look out of place on a bedside stand.

AV Receiver Reviews
Mark Fleischmann Aug 19, 2004 Published: Aug 01, 2004 0 comments
The most reliable guide to power ratings isn't the specs provided by the manufacturers but the measurements made by our technical editor. He follows the mandates of the Federal Trade Commission in measuring power output and distortion with all channels continuously driven (along with a less-demanding two-channel spec). When objective third-party measurements aren't available, here's a quick-and-dirty means of sorting high-power receivers from the junk: Just feel the weight. Aside from the nefarious inclusion of useless lead weights, more pounds indicate either the presence of a heavier power supply or a heavier, more-sturdy chassis—ideally, both. All things being equal, with conventional amplifiers, you don't need expensive test gear to figure out that a 50-pound model is likely to play louder and cleaner than a 15-pound lightweight, even if both are rated at 100 watts per channel.
AV Receiver Reviews
Mark Fleischmann Apr 18, 2006 0 comments
The great gray lady.

Consumer expectations are a pointed stick. You can almost hear manufacturers of surround receivers going, "Ow, ow, ow! Do you really expect us to provide seven amp channels and a silicon forest of surround modes—and make it all easy to set up?" Yes, yes, and yes.

AV Receiver Reviews
Lawrence E. Ullman Dec 15, 2004 0 comments

Back in the misty days when 2-channel stereo was still an exciting new format and tubes ruled the land, Sherwood was a brand name to be reckoned with. Together with such companies as Harman/Kardon, Fisher, Marantz, and McIntosh, Sherwood was instrumental in launching the American hi-fi industry on a path that would culminate in today's high-end audio gear—grist for our sister publication, Stereophile.

AV Receiver Reviews
Mark Fleischmann May 10, 2010 0 comments
Price: $1,800 At A Glance: First A/V receiver to include Trinnov Optimizer • HQV Reon-VX video processor • Big beefy chassis

Say Hi to Trinnov

The Sherwood Newcastle R-972 A/V receiver is the first to include a new player in auto setup and room correction technology. Say hello to the Trinnov Optimizer. Nearly two years after it was first announced, the R-972 has arrived. After endless behind-the-scenes tweaking, this product will surely trigger debate and discussion among surround enthusiasts.

AV Receiver Reviews
Mark Fleischmann Apr 11, 2011 0 comments
Price: $600 At A Glance: Slim A/V receiver with energy-saving Class D amplification • Variety of streaming content via VuNow and PlayOn • Dolby Volume low-volume listening mode

Internet in a Boxx

As networked media features steadily infiltrate HDTVs, Blu-ray players, set-top boxes, and other audio/video products, streaming may be upstaging 3D as the must-have technology. The question is how to get streaming into your system. Do you want your choice of HDTV to hinge on streaming features—as opposed to, say, picture quality? While that may be the ideal solution for some, others will seek ways of smuggling streaming into their racks via smaller purchases such as Blu-ray players, set-top boxes—or A/V receivers, like the Sherwood R-904N NetBoxx. At $650, it delivers a huge array of networked media features for a nice price.

AV Receiver Reviews
Mark Fleischmann May 03, 2013 0 comments
Audio Performance
Video Performance
Features
Ergonomics
Value
Price: $1,000 At A Glance: Built-in Wi-Fi • Bluetooth with supplied dongle • Rudimentary room EQ

Sherwood can fairly lay claim to a slice of audio history. Born in Chicago in 1953, it was one of the great American brands of home audio’s infancy. Its vintage tube amps still sell on eBay as affordable alternatives to more sought-after brands like McIntosh and Marantz; some folks make a hobby of refurbishing them. Its early solid-state stereo receivers also have a modest following.

AV Receiver Reviews
Mark Fleischmann Jun 29, 2009 0 comments
Price: $440 At A Glance: Lossless surround at a new low price point • Optional accessories provide Bluetooth and iPod compatibility • Decent performance for the price

Low-Rent Audiophile Model

In A/V receivers, as in so many other things, new technologies start in mid- to high-priced models and work their way down. Once they have fully penetrated all or most of a manufacturer’s line, consumers who are on a budget have the same access to, say, lossless surround that more upscale buyers do. Then we at Home Theater uncork bottle after bottle of champagne in wild celebration, peel grapes for one another, run up and down the hallway, and don’t get much done for a few days.

Steve Guttenberg Apr 23, 2007 Published: Mar 23, 2007 0 comments
Together again for the first time.

As I unboxed this month's Spotlight System, I flashed on the innovative histories of Marantz and Snell Acoustics. Saul B. Marantz was a bona fide American audio pioneer in the 1950s and 1960s. His company's electronics not only sounded amazing, they were drop-dead gorgeous. Maybe that's why Marantz's early designs regularly sell on eBay for more than their original prices. Peter Snell was one of the brightest speaker designers to emerge in the mid-1970s. Back in the day, I owned a pair of his first speakers, the Type A, and had many conversations with Peter about music. In those simpler times, Saul Marantz and Peter Snell could launch their companies armed with not much more than a driving passion to produce great audio gear—and the inspired engineering to make the dream real. Best of all, both companies still adhere to their founders' perfectionistic traditions.

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