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Escape Physical Media

Going back several years, I remember my first reaction to learning of the Kaleidescape paradigm. Then, media servers didn’t exist, and a Kaleidescape starter system cost a startling $30,000. On paper, it looked like its principal novelty was ripping and playing back DVD movies without having to load a disc into a player. My first thought was something like, “Wow, life is really expensive for people who don’t want to get up and walk a few feet to grab a disc and put it into a DVD player.” Of course, this was exceptionally ignorant and shortsighted. My cynicism lasted roughly two and a half to three seconds into actually using a Kaleidescape system. Much like the Apple products that are so near and dear to my heart, Kaleidescape’s power is in the interface. The library management and organization is a metadata-enriched, best-in-class experience. It’s about changing the way you browse and experience your content at least as much as it’s about storing your digital content on a server. What’s better still, it’s dead simple to use. You could hand the remote to your mom, and she’d be watching a movie in seconds. But power users can dig deeper and find movies by their favorite actors, directors, genres, and more.

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At A Glance: Elegant touch-sensitive screen • Decodes multiple audio formats • Internet radio support • Integrates with Facebook and Flickr

Remember the days when you stacked hundreds, if not thousands, of CDs into towers or bookshelves so you could have your entire music collection at your fingertips? The CD player evolved from a single tray to a multi-disc changer that allowed up to 400 discs per unit, but you still had to find a place for all of those pesky cases. In 1999, the music world turned upside down when 18-year-old Shawn Fanning created Napster, and a new way of music delivery was born. Millions of people around the world digitized their music into MP3s, which compromised quality in favor of convenience. Fortunately, as computing power increased and storage became cheaper, audiophiles could store their digital music in a lossless format (FLAC, WMA Lossless, Apple Lossless, etc.) in order to preserve the integrity of the original recording. But with all of this music digitized, how do you listen to it in your home theater?

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Sooloos Sticks a Fork in the CD

The custom installer’s eyes lit up almost as brightly as the Sooloos Control 10’s LCD touchpanel screen as he scrolled through the 700 CDs and high-resolution digital files that had so far loaded onto the system’s hard drive.

Plenty of people don't give operating systems a second thought. But they determine what we see and hear and ultimately how we interact with our computer—and everything stored on it. Such software is Microsoft's bread and butter, and they've gone to great lengths to put it at the front of everyone's minds. This is especially true for their radically advanced, new Windows Vista, which is available in several flavors. The guide I downloaded from their Website was more than 300 pages, so there is simply no way to list all the features. Instead, I will quickly point out that the Ultimate version of Windows Vista, which I tested, is the most complete; it combines all the lower-tier functions and adds some unique extras.

My first impression of the mStation was that it had grown out of the ground. Having just uncrated it, I knew it hadn’t really sprung out of the carpet, of course. Yet somehow it seemed more like a young stand of trees than a floorstanding iPod docking system. If I waited long enough, would this self-contained trio of cylinders erupt in branches and leaves? No, and yet there was something organic about it. The pair of metal speaker tubes seemed to rise up from the base, while the subwoofer drum suspended between them seemed to levitate in midair. In addition to having a whiff of the arboreal, it also resembled a headless robot.

The NAD VISO 1 was an immediate hit in my household from the moment it was uncrated. Between my roommate and myself, it received Bluetooth input from an iPad 2, iPhone 4, and iPod touch 2G. The dock played host to two iPod nano 6Gs and two nano 2Gs in addition to the nano 5G actually used for formal demos. Though not portable in the strictest sense—it won’t slip easily into a briefcase or carry-on—the system was still movable, and eager hands shifted it from living room to bedroom to kitchen. It was pressed into service to provide music for ballet exercises, cooking, reading, and bedtime listening.

I guess the Internet is never going to hit maximum capacity.