Digital Divide

So-called digital or Class D power amps are often maligned as incapable of matching the performance of high-end analog amps. This has certainly been true of many designs, but NAD is out to change that perception with its new M2, a 2-channel digital power amp in the company's flagship Masters Series.

For those who aren't familiar with the basic technology, Class D amps typically accept an analog signal, which is converted into a series of high-frequency pulses with constant amplitude and variable widths that represent the waveshape of the input signal. This process is called pulse-width modulation (PWM) and is inherently digital in nature. Output transistors then generate a high-power replica of the pulses, which are filtered to remove the pulse frequency and its harmonics in order to reconstruct the original waveshape at a higher amplitude than the input signal. The circuitry that controls the process can be analog or digital, leading to some confusion about exactly what qualifies as a "digital" amp.

By contrast, the M2 was designed to accept PCM digital-audio signals and convert them to PWM, keeping the signals in the digital domain all the way to the final output—hence NAD's designation as a Direct Digital Amplifier—where they are filtered to reconstruct the corresponding analog signals that are then fed to the speakers. Among the innovations embodied in the M2 is a digital feedback loop that compares the PWM output with the idealized pulse shape, creating an "error" signal that is used to correct subsequent modulation cycles.

The result of this and other engineering advances is said to be vanishingly low distortion and noise, virtually no jitter, and useful resolution down to –135dBFS! In addition to the digital inputs, balanced and single-ended analog inputs are provided, and ultra-high-resolution analog-to-digital converters keep the performance of the analog inputs within 1dB of the digital inputs for all measurements.

The specs tell an impressive story. The M2's power output is rated at 250Wpc into 8Ω or 4Ω with only 0.004% THD from 20Hz to 20kHz, a range that also defines the amp's frequency response (±0.3dB). Most amps output more power into lower speaker impedances, but NAD designs its amps to maintain the same power because many speakers today exhibit a nominal impedance lower than 8Ω. All this can be yours for $6000—not cheap, to be sure, but worth every penny if its real-world performance matches NAD's claims.

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Comments
John W. Roach's picture

What digital input formats does this amp accept? 44.1K/16bit (surely) but what about 48k/16 or 24 bit, 96k/16 and/or 24 bit? Also, of course, 192k/ 24 bit? This is an important specification for people interested in this machine.

Scott Wilkinson's picture

Excellent question! This info is not in the materials I have, so I sent a query to NAD. I'll post the response as soon as I get it.

Scott Wilkinson's picture

According to NAD, the M2 can accept any PCM signal from 32kHz to 192kHz at bit depths up to 24. I also asked if it can accept and decode compressed formats like MP3, which it cannot.

rainman way's picture

I would never pay those prices for something made in China. That's to bad, because the design is nice.

Zero-Equals-Infinity's picture

I bought it, I love it, whether it is made in China or Antarctica. It drives my modified Quad ESL-63's and my Definitive Technology Mythos ST speakers beautifully. If you want your music clean, clear, dynamic and emotively compelling, you cannot go wrong with this amplifier. That it jitter corrects and resamples for 16/24 bit 32K thru 192K means that you can plug in any damn PCM stream you want, from a cheap and cheary player to whatever high-end transport you want, with the same high-quality output. You can probably get better seperates at 5 to 10 times the price, but if you want a plug it in, and sit back to enjoy the music setup, this is it. Yeah, I bought it. Guess what, this is the first time in 20 years that I have sat down and listened to music on my stereo for hours on end. Usually, I just had season tickets to the symphony, went to see Tafelmusik and a few other live acoustic events. Now, I can just turn on the the amp and enjoy, (as well as keeping up my live listening subscripti

Scott Wilkinson's picture

Zero, I'm glad to hear from a user of this amp. Also, you have great taste; Tafelmusik is one of my favorite groups. And I agree that no matter how great a stereo one has, live music is still a must!

Ricardo's picture

I can't say about NAD, but as Lyngdorf TDAI2200 owner, that uses the same pulse-width modulation, I can't say what tecnology is in use if I didn't knew the amplifier. The Lyngdorf also offers a Room Perfect module, which I found very helpfull.

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