Genius Bar

Quad is one of those great speaker companies whose pedigree encapsulates some of the fascinating and significant parts of audio history. The name is an acronym for Quality Unit Amplifier Domestic. Born in London in 1936, the company first produced publicaddress equipment, then moved into hi-fi after World War II. It eventually became known for producing relatively thin electrostatic floorstanding speakers that are considered classics—heirlooms, even—and are still produced today. That our sister publication Stereophile named the Quad ESL-2805 Product of the Year for 2007 should indicate how much Quad’s current owner, IAG, venerates this Anglo-Chinese brand. It produces its products at a state-of-the-art factory in Shenzhen and ardently defends its historic reputation. Have I mentioned that Quad also produces both tube and solid-state electronics for the two-channel market? Now get ready to change gears.

One Less Cable

Do you become a different person when you walk into a different room? For many people, the answer is yes. They’ll endure the rigors of component matching and system setup to equip the family room with a big phat flat screen and an AVR-based surround system. But they don’t want to repeat the process in every bedroom. Outside the main system, it might be OK for the screen to be 720p instead of 1080p if it’ll save a few bucks (especially if you don’t wear glasses in bed). And it may be OK to substitute a no-hassle soundbar speaker for a discrete speaker system. But that doesn’t mean you should go without surround—we’re not going to extremes here.

5.1 Channels in One

Why shouldn’t respectability and innovation be on speaking terms? In loudspeakers, that’s not as easy as it sounds. Much of the recent audio innovation in home theater has come in products that are designed to complement flat-panel TVs. These products are morphing before our eyes—into soundbars, on-walls, and ever-smaller satellites. They are also moving beyond the standard five-speakers-and-sub configuration in their deployment of surround’s 5.1-channel array. This makes for a striking contrast when you look at the high-end speakers that grace audiophile short lists. These include a staid group of medium-density fiber-board boxes whose fundamentals, in many cases, haven’t changed in decades. Traditional speakers can sound great, but that’s not often enough to make people buy them.

Stars and Bars and L-C-R

Two bars walk into a guy. Sorry to be so gender-specific, but that’s generally how these jokes begin. One bar says, “I’ve got 5.1 channels, including fake surround, to add to the grandeur of your studio apartment.” The other bar says, “I’ve got the front three channels of good, honest sound to accompany the luster of your flat-panel TV.” What does the guy say? Frankly, I haven’t got the slightest idea. The interesting thing is that he has a choice.

Do You Believe in Magic?

Bar-type speaker systems like the Polk SurroundBar 360˚ are a logical response to the flat-paneling of modern homes. The form factor of a single horizontal speaker makes sense to use below the bottom edge of a flat screen (or perched atop a rear projector). But surround, by its nature, likes to spread itself around the room. And it does so for the same reason that pictures like to be big—to engulf the senses and take the viewer/listener to another place. But how can a single bar speaker spread itself around when it’s confined to a single enclosure? That’s the question Matthew Polk set out to answer with this product.

Some people would call it cheating. Others might be less pejorative and consider it a shortcut. Either way, setting a rectangular box on top of your TV, plugging in an analog stereo RCA cable, finding an outlet for a single AC power cord, and pressing the power button isn’t what God intended when he gave us home theater. No, a real man’s home theater demands a separate processor and amplifiers, multiple speakers, many long runs of speaker wire, and an inconvenient place to put a subwoofer. It should take real work to set the whole thing up—and more than a sporting chance to wire something incorrectly.