2D Performance
3D Performance
Features
Ergonomics
Value

The performance we’ve been seeing from the projector world as of late has just been astounding. Sony has been right there at the top of the heap, too, earning our Top Pick for the last three projectors we’ve reviewed. The company continues to push new boundaries with its recently reviewed flagship 4K projector, the VPL-VW1000ES, and price/performance boundaries with its superb VPL-HW30ES. Last year Tom Norton was pleased as punch with Sony’s first 3D projector, the VPL-VW90ES, and I’ve been lucky enough to follow it up with its latest high-end effort, the VPL-VW95ES. Sony claims improvements in 3D performance and value. With a price point that falls $2,000 less than last year’s model, the company’s definitely made good on the value part. But can a lower-priced high-end model really outperform last year’s Top Pick? Let’s find out.

2D Performance
3D Performance
Features
Ergonomics
Value

Sony’s VPL-HW projectors go back a few years, with steady model-to-model refinements. Last year it was the VPL-HW20; this year it’s the VPL-HW30ES. Note that the HW30 now carries Sony’s premier ES designation. But there’s more than that to account for its price premium over the VLP-HW20. Not only does the new model build on its predecessor’s already excellent 2D performance, but it’s also 3D-ready, using active shutter glasses you can purchase separately along with an external 3D emitter. Or if you prefer your projector to be 3D-capable right out of the box, you can purchase it with two pair of model TDG-PJ1 glasses and the TMR-PJ1 emitter included as the VPL-HW30AES for $4,000.

Many of us here at Home Theater are big on 3D, but a lot of front-projection fans have been holding off. Until recently, their only options in the $5,000 3D projector market were two identical JVC models (sold either through that company’s pro or consumer distribution channels).

I've always liked Epson projectors—they generally produce an excellent picture for a reasonable price, which makes them a great value. The PowerLite Home Cinema 8350 is no exception, though it's not quite the home run that Epson's UB (ultra-black) models are. In fact, my primary complaint with the 8350 is its not-so-great blacks, which isn't helped much by the dynamic iris on real-world material. Granted, its blacks are better than those of the Optoma HD20, but they're still too bright to achieve a really great picture, especially in dark scenes. Also, colors are not spot-on accurate with this Epson, though I didn't find that bothersome when watching Blu-rays, DVDs, and TV programming. Another surprise—despite color fringing and softness I saw in certain test patterns, the detail in real-world content was quite good, if just a tad softer than the DLP-based HD20.

Performance
Features
Ergonomics
Value

The Agony and the Ecstasy

JVC’s projectors have been fixtures in HT’s Top Picks in recent years. This year, the anticipation of getting our hands on JVC’s newest projectors was even more acute. Not only has the line been completely redesigned for the first time in a couple of years, this is JVC’s first series of 3D projectors. The $7,995 DLA-X7 reviewed here is the middle child, between the $4,495 DLA-X3 (reviewed by Kris Deering on page 58) and the $11,995 flagship DLA-X9, which is essentially a DLA-X7 with hand-picked parts and 3D paraphernalia—two pair of active shutter glasses and a 3D sync transmitter—included. The DLA-X7 is THX approved for 2D and 3D. It carries over virtually all of the significant features from last year’s JVC models, while adding 3D capability. If you don’t believe I couldn’t wait to get my hands on this projector, check with JVC. Their corporate communications guru suffered an incessant onslaught of phone and voicemail messages through the holidays until the DLA-X7 was safely on my doorstep.

DLP Hangs Tough

Digital Light Processing (DLP) may have jump-started the whole digital display revolution in the late 1990s, but to the consumer, the technology might look like it’s fallen on hard times. Only one major HDTV manufacturer—Mitsubishi—now makes DLP rear projectors. And since DLP is a projection technology, there are no DLP sets that can project an image across a distance of 2 inches or less to compete with today’s popular flat panels.

Digital Projection International (DPI) might not be a familiar projector company to many home-theater enthusiasts—at least, not as familiar as Epson, JVC, Optoma, and Sony. But commercial users know the name well, because DPI has been supplying high-end, high-priced DLP projectors for broadcast, theatrical, simulation, medical, education, and corporate applications since 1997. In fact, DPI was Texas Instruments' first DLP partner and the original innovator of the 3-chip DLP projector.

Over the last few years, DPI has been directing more of its efforts toward home-theater applications and now offers seven series of products for that market. The most affordable home-theater model is the M-Vision Cine 230, a single-chip design that offers many of the same features found in the company's more expensive offerings for less than $7000.