HE 2007
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HE 2007
Fred Manteghian May 12, 2007 1 comments

I spent some time in the Lipinski / JVC room. Lukas Lipinski showed us a more stylized version of the L-707 speakers on custom stands that include stereo amps (either bridged and biwired or not-bridged and biamped – we're still a little confused). Tom Norton goes into more detail in his coverage below, so I won't repeat it here. Suffice to say, the sound from these speakers was, once again, very good, if a bit too loud.

HE 2007
Shane Buettner May 12, 2007 1 comments

Admittedly, this show is still very much Stereophile oriented, meaning more two-channel and less TVs and surround sound. So, what does a UAV reporter do? He walks around and listens to stereos like this one, loaded with ultra expensive and strangely pretty MBL gear. And yes, this gear has a sound that's as unique as its looks, with massive scale and dynamic swing.

HE 2007
Shane Buettner May 12, 2007 0 comments

I guess when you've been lauded in the pages of Stereophile you're not intimidated rolling into the HE Show with a network digital media server. You know, the kind of thing that plays the "M" word.

HE 2007
Shane Buettner May 12, 2007 0 comments

Mr. Incredible is the on onscreen- that's ZVOX's Tom Hannaher standing next to a flat panel display and the new ZVOX 425.

HE 2007
Mark Fleischmann May 12, 2007 0 comments
I asked the folks at Usher if their Be-718 monitor, sold for $2500/pair, would be available in odd-numbered surround configurations like five or seven. "What a great idea!" they enthused archly. Much hard work went into tuning the beryllium-oxide tweeter from which the speaker gets its name. It will ship soon with complementary center and sub. And at 87-88dB sensitivity, the system should run well with a good receiver.
HE 2007
Mark Fleischmann May 12, 2007 1 comments
Sometimes the secret to a great speaker is in the stand. The folks at CT-based Proclaim Audioworks say their spherical speakers (not shown) boast their best time-domain response when you arrange them on this versatile stand so that the output of each driver hits "the tip of your nose" at the same time. Pricing is $25,999 for, uh, a speaker or two or five.
HE 2007
Mark Fleischmann May 12, 2007 0 comments
Swedish patriots used Crown Princess Madeleine to lure showgoers into their demo room. Inside I found the QM-10 studio monitor which is expected to sell for $1850/pair starting soon and can of course be bought in a surround configuration with forthcoming sub. No, subs. The company thinks a system fit for a princess should have somewhere between two and four of them. Subs, that is, though the little monitors had an impressive amount of bass by themselves.
HE 2007
Shane Buettner May 12, 2007 0 comments

HP was not only here, it brought more than laptops to the booth. On the left are two 1080p LCDs, the 42" LC4276N and the 47" LC4776N. Both have three HDMI inputs, and a bevy of other impressive features. but the prices are total mainstream: the LC4276N is $1,899 with the LC4776N tipping the scales at just $2,499. We've liked what we've seen from HP's plasmas, so you can bet we're going to get a look at one of these LCDs.

HE 2007
Mark Fleischmann May 12, 2007 0 comments
Four terrified pillows huddle on a windowsill as three-inch-thick speaker cables from Magnan swarm on the floor. The nearby Gershman speakers are acting dignified and trying to ignore the reptile mating dance. It all sounded fab.
HE 2007
Tom Norton May 12, 2007 0 comments

Lipinski Sound had an audio/video system consisting of five of its L-707 monitor speakers ($2495 each), five L-301 Lipinski amplifiers ($2995 each, set up in 2-channel, 300Wpc mode for bi-amping each L-707 speaker, but also bridgeable), and four L-240 Powered Stands ($595 each), each of them (apart from the center) designed to house one of the L-301 amps. This placed the amplification just a little over a foot from its associated speaker. The total cost of the power amp/speaker combination: $35,035. Building the amps into the speaker stands is a great idea that more manufacturers might want to consider.

HE 2007
Tom Norton May 11, 2007 0 comments

Freddie G. beat me to the punch on the new Krell speakers, but they're worth a few extra words. At $35,000/pair the Modulare Duos are hardly cheap, but Krell's charter has always been cutting edge design, not designing to a price point. Based on the sound I heard from their two-channel setup in a relatively large demo room (plenty big enough for a home theater demo—helpful hint for next year!?) they are definitely cutting edge. I'm sure the Krell electronics used to drive them weren't hurting the overall result, either. Their pricey Scandinavian drivers and solid aluminum enclosures might just have been making the best sound I will hear at the show, though it's still too early to go that far. A lot of rooms are yet to be visited.

HE 2007
Tom Norton May 11, 2007 0 comments

Aperion Audio, which like Outlaw sells through the Internet, is demonstrating two surround sound systems at very attractive price points. One of them is built around the Intimus 533-T speaker that just recently received a positive review in Stereophile. The Intimus 633-T tower speaker anchors the other system. The larger system will soon be receiving a new review in Ultimate AV. So it was no surprise to me that it offers great value for money. The setup being reviewed, the Intimus 633 Concert HD, normally sells for $2690, and is slightly less on a show special.

HE 2007
Tom Norton May 11, 2007 0 comments

One of the interesting new features of this year's show is a variety of workshops, many of them to be presented more than once throughout the show. There are workshops on amplifier measurements, amplifier listening, speaker auditioning, speaker measurements, the peak power demands of music, and active loudspeakers. The Stereophile Analog Clinic also continues, as in past shows.

HE 2007
Tom Norton May 11, 2007 0 comments

One well-attended seminar on Friday (presented once only) covered the listening room and its effect on the system. Chaired by Richard Bird of Rives Audio, it offered advice from four experts on room design and acoustic treatment. While much of the information will be old news to long-time audiophiles, the advice presented new listeners with a heads-up on the importance of the room.

HE 2007
Darryl Wilkinson May 11, 2007 0 comments
The picture doesn't do it justice, but Logitech's $299 Squeezebox wins the prize here for the coolest looking display on a product. You can pick other display layouts, but the one with the digitally simulated analog VU meters dancing back and forth warms my cockles. (And let me tell you, they've been pretty cold lately...) The fact that it's a great device to use to propagate digital music throughout the house doesn't hurt, either. The $2,000 Transporter (the Squeezebox's audiophile big brother) was in the next room, but I was afraid to get too close for fear I'd like it too much and have to buy one.
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