Video: 4
Audio: 5
Extras: 5
Before MTV got punk'd and The Real World was still slightly real, the proprietor of music television featured a late-night show so fluid in its experimentation that they called it Liquid Television. Geared toward insomniacs with an appetite for the avant-garde, LT featured several animated shorts, including Aeon Flux. Soon, it was turned into its own 30-minute weekly program. Aeon Flux is a sadistic, leather-clad secret agent who lives across the border from the enemy state, run by Trevor Goodchild, who is both Aeon's nemesis and her forbidden love. While the story does not necessarily echo Romeo and Juliet-type themes, this combination of opposites is intriguing in its paradoxical nature.
Video: 4
Audio: 4
Extras: 3
After one of the best season-ending cliffhangers ever, Battlestar Galactica returns for a second season. Of course, calling 10 episodes a season is a bit of an overstatement. If you are a fan of sci-fi at all, you need to check out this show. It's one of the best-written shows on TV and is truly excellent television. Amazing everyone, the second season was even better than the first. Hyperbole? Not even close.
Video: 3
Audio: 3
Extras: 2
Naturalist Timothy Treadwell wanted to become one with nature, and, in a way, he did. Having lived amongst dangerous grizzly bears over 13 summers in Alaska, he—along with his girlfriend—was eventually mauled and eaten by one of them.
Video: 3
Audio: 3
Extras: 3
On the Bad News Bears DVD, cowriter Glenn Ficarra says, "I think the way you remake a classic is not to change it too much." Apparently, director Richard Linklater agreed, as the 2005 movie is a near scene-for-scene remake of the 1976 version, and not for the better. But it does serve a purpose—to let the audience appreciate just how great the original is.
Video: 4
Audio: 4
Extras: 3
A terrific musical score, a multifaceted performance from Tom Hanks, and a cool-to-watch animation style help elevate a disappointingly conventional Christmas story to a potential holiday classic.
Video: 4
Audio: 4
Extras: 3
Steven Spielberg's frightening remake of George Pal's seminal 1953 classic was the popcorn-munching movie of last summer. This time out, the aliens' decimation of Earth is told from the highly personal viewpoint of a single, divorced man (Tom Cruise), trying merely to keep his family safe amid the chaos. This one-view approach proves highly effective, as it thoroughly puts the viewers in our hero's working-class sneakers.
Video: 3
Audio: 3
Extras: 2
Midcentury small-town homemaker Evelyn Ryan keeps her family of 10 kids fed and cared for with prizes from advertising writing contests. Julianne Moore carries the show as the titular prize winner, and Woody Harrelson inhabits his role as a drunken train wreck of a husband to the hilt. But, ultimately, the movie loses steam and becomes repetitive. Harrelson drinks away another paycheck, Moore wins another contest, the kids get to live on the ragged edge of disaster for another week. This harrowing film’s marketing as a “witty and engaging” comedy should be considered seriously false advertising.
Video: 3
Audio: 3
Extras: 3
In a world where one is not allowed to desire anything, Chiyo has secretly wished for just one thing. Fueled by her dream of seeing her beloved chairman again, she is driven to become a geisha, and, in the process, becomes the most sought after one of her time. Memoirs of a Geisha features Ziyi Zhang in her first English-speaking role.
Video: 4
Audio: 3
Extras: 3
What’s Dreamer got that the similarly themed, highly acclaimed Seabiscuit didn’t? How about the emoting of Dakota Fanning, playing the daughter of a distant father and broken-down horse trainer seeking redemption? Combine her heart-melting appeal with a broken-down horse, and you’ve got the family charmer of the year. That sound you hear isn’t galloping—it’s a family bonding.
Video: 4
Audio: 4
Extras: 3
Pixar has spoiled me. Thanks to films like Monsters, Inc. and Finding Nemo, I don’t just want an animated movie to appeal to my inner child—I also expect it to engage me as a grownup. Chicken Little has all of the elements of a good animated feature: The story is fast and fun, the main characters are memorable, the animation is outstanding, and it’s got a high warm-and-fuzzy quotient. It just lacks that intangible quality that will inspire the same loyalty and repeat viewings in pre- and postpubescents.
Video: 4
Audio: 3
Extras: 2 The Dying Gaul is an interesting little movie, written and directed by playwright Craig Lucas, in his feature-film debut. It tells the story of Robert (Peter Sarsgaard), a gay screenwriter who’s just sold his extremely personal script “The Dying Gaul” to studio executive Jeffrey Tishop (Campbell Scott). Jeffrey is married to Elaine (the always lovely Patricia Clarkson) but desires Robert, and they begin an affair. Elaine finds out, and soon deception and betrayal are afoot among the three, with Elaine pretending to be Robert’s recently deceased lover, whom his script is based on. The actors are all very good, if the story is a bit strange and the ending a tad unsatisfying.
Video: 3
Audio: 3
Extras: 3
Viewing audiences and critics generally dismissed Jarhead when it rolled into theaters last year. That was a mistake—it’s one of the better unconventional war films ever made. This subgenre is championed by masterpieces such as Full Metal Jacket, Dr. Strangelove, and Apocalypse Now. These flicks actually explore the essence of war and its inevitable impact on the core of humanity. Jarhead measures up to the best of them specifically because the purported negatives critics hurled at it (cold, distant) is exactly the reason why it is great.
Video: 4
Audio: 5
Extras: 5
As I watched The Lion, the Witch and the Wardrobe and made my way through the new Special Two-Disc Collector’s Edition DVD, there was something so familiar about it all. Maybe it was the fact that I’ve read C.S. Lewis’ book several times in my life, and director Andrew Adamson (Shrek) wisely chose to remain faithful to the original story, fleshing out certain details but never embellishing. Maybe it’s the archetypal good-versus-evil theme or perhaps the Christ allegory: A powerful but gentle hero chooses to sacrifice himself to fulfill the law and save others. Or maybe it was just so darn similar to The Lord of the Rings in its themes, music, locales, special-effects artistry, and even its DVD packaging.
Video: 4
Audio: 4
Extras: 5
And so the pirate saga continues. Johnny Depp boards the Black Pearl once again in Dead Man’s Chest, taking the ever-flamboyant Jack Sparrow on a soul-searching journey…literally. As the legendary Davy Jones resurfaces, it seems our favorite cap’n has a huge debt to pay. Jack may be good, but his pirating skills won’t be enough unless he finds the fabled chest and barters its contents with the formidable Jones, brilliantly portrayed by Bill Nighy, who takes villainy far above sea level. Orlando Bloom also returns as the virtuous Will Turner, offsetting his pretty-boy charm by adding a bit more ruggedness to the character this time around.
Video: 3
Audio: 3
Extras: 5
The original Clerks, released in 1994, was the seminal work for people of my generation. That should be as disturbing as it sounds. I doubt there was a film school in the country that didn’t spew out Kevin Smith wannabes at a tremendous rate for the better part of a decade. All of them, and every other fan of that film, surely got a twang of disappointment when they heard about Clerks II. Had the great bearded auteur finally sold out? Well, amazingly enough, he pulls it off. Where Clerks was about a bunch of losers wanting to do something with their lives, Clerks II takes place 11 years later and finds the same losers now disappointed that they really haven’t done anything with their lives. It actually works, it’s funny, and it’s a story worth telling.
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