Lacking the high-end street cred of a boutique brand, Sony probably won't get much credit for producing the best sound of CES 2013 (at least so far) with its new ES speakers. The NA-2 tower ($10,000/pair), NA-5 monitor ($6000/pair), N-8 center ($3000), and matching sub ($4000) have the same Scandinavian-made multi-chambered birch cabinetry of the existing AR-1 and AR-2. Note the triple tweeter configuration, shown here on the center but present on all the new models. No, you're not seeing two super-tweeters flanking a tweeter, just three tweeters, though they're not the same size and are not all getting exactly the same frequencies (we'll have to get into the intricacies some other time). Fed by Pass amps and high-res sources including vinyl and DSD, the tower established an instant comfort zone with its super silky sweet top end, fatigue-free and convincing midrange, and controlled bass. In addition to today's press announcement at the Venetian, Sony is also showing the ES speakers in a 9.2-channel configuration at its gigantic booth in Central Hall.
If you want to see the future of Paradigm's Signature line, take a closer look at the 30th anniversary speakers shipping soon including the Tribute tower and Inspiration monitor. The wood veneer enclosures, a Paradigm first, will probably trickle down to Signature and the woofers come from the existing Signature. Shipping has been pushed from December 2012 to February 2013 and the originally envisioned limited run of 400 units may be increased though not much.
ADA is best known for its world-class surround separates so it's a pleasant surprise to see it getting into receivers, or as the company calls them, integrated controller/amps. The Cinema Rapture ($5000, shipping this week) musters 150 watts into eight ohms and 300 into four ohms while the Cinema Rapture Jr. (price and shipping to be determined) offers 80 watts into eight ohms and 150 into four ohms. Both use Class D amp modules of ADA's own design. They are not licensed from someone else. We can't wait to hear how they sound in our own listening room.
Morel's high-performing SoundSpot satellites have a new iteration in the SP3. It has a larger orb with a new 4.5-inch woofer that enables it to perform better at the low end, lowering the formerly 120-150Hz sub crossover to 90dB, so the sub won't have to do so much work (and call so much attention to itself). The Lotus grille pattern makes it acoustically transparent.
This is just one of the images that the LG video wall morphed into. The moving 3D images ranged from the surreal to the fantastic. It was the standout booth entrance at the show. LG provided the passive polarized lens of the 3D glasses over the camera lens.
Samsung claims to be showing the world's first curved OLED, but there seems to be some dispute about that (see below). Nevertheless, you'll see flat OLEDs in Vin's Video Barn before you see curved ones. Exactly when we'll see the flat versions remains a question mark. LG has starting to sell them in Korea either now or claims it will do so shortly, but the US availability date will be later. Samsung claims in June of this year or later. Expect prices between $10,000 and $12,000 for the only size anticipated for now: 55-inches (the 56-inch Sony shown below does not have a delivery date). How that will stand up in the market against the increasingly cheaper big-screen designs remains to be seen.
One thing is certain: OLED can trump any current display technology in a wide range of important performance parameters. The off-axis performance and black level quality comes through in this photo, even on a your computer screen, which itself will certainly have a far poorer black level.
I guess it's a toss-up as to who thought of a curved OLED first, but LG's 3D-capable EA9800 (no word on price or availability) looks appropriately cinematic as well. OLEDs are uniquely suited to curved designs, as they're so thin they can be twisted or rolled into forms impossible up to now with other display technologies.
LG's OLED employ 4-color pixels--sort of. The fourth color is white, along with the usual red, green,and blue.
There's no question that OLEDs can produce eye-grabbing color as well as great blacks and off-axis performance. Like most displays at shows such as this, color is stretched and enhanced all out proportion. But it shur r purdy.
Bang and Olufsen announced its new flagship TV, the Beovision 11 with SmartTV features. Users can customize their SmartTV hub from a number of available apps.The first Smart TV for the upscale company, the TV includes access to not only the typical U.S. streaming services but services from all around the globe
Texas Instruments, developer of the DLP imaging chips used in many of today’s video projectors, is demonstrating at CES 2013 a new architecture that makes the already minuscule pixels in Pico projectors even smaller. Dubbed Tilt & Roll Pixel, or TRP, the technology is said to double resolution to 1280 x 800 and increase brightness by as much as 30 percent, making it possible to project larger images from ever-smaller projectors (like the one built into Samsung’s Galaxy Beam phone). At the same time, power consumption is reduced by up to 50 percent.
Klipsch likes to bring its trombone to jazz bars and jam after hours.... No, no, that's not it. Klipsch is introducing horned speaker design to soundbars. Yes, that's more like it. The two HD Theater Series bars shown include the SB 1, $599, with two three-inch IMG (injection-molded graphite) woofers and a silk tweeter on each side; and the SB 3, $799, similar but with 3.5-inch woofers and more power. Both speak wirelessly to 10-inch subs though the larger bar has a more powerful and deeper sub. The big guy can produce SPL of up to 110dB (in other words it's very loud). Both have optical and stereo analog ins plus a mini-jack on the SB 3. Klipsch also showed the fifth generation of the legendary Quintet sat/sub set. It now comes in a BMC enclosure, a type of forged stone polymer that's high-pressure injection-molded and is acoustically inert. The motors take up the entire innards of the enclosure. 90 by 90 degree horns surround the 0.75-inch aluminum tweeter and the woofer is another 3.5-inch IMG driver. The new Quintet will be sold in 5.1 sets for $899, same price as the original Quintet, or in five-packs with no sub for $549. When I have more time remind me to tell you about the amazing $2,000 Stadium powered speaker with its opposing subwoofer drivers and quadruple-threat connectivity: AirPlay, Bluetooth, wi-fi, and DLNA.
Though the Mirage brand name is on ice, its Omnipolar speaker technology lives on in two new 360 Series satellites from Jamo. The larger of the two, the S35, is the size of a grapefruit, has a 3.5-inch woofer, and will be sold in groups of four with a conventionally shaped center and sub. The smaller S25 has a 2.5-inch woofer and will be sold in a five-pack. Available colors will be determined based on dealer feedback at the show with shipping later in the year.
When is a soundbar not a bar? When it's shaped like a console, a new form factor that provides more cabinet volume and potentially better sound. The Energy Power Base, pictured, is a 2.1-channel product with pairs of 0.75-inch tweeters, three-inch midranges, and three- by five-inch oval woofers. It comes with Dolby Digital surround decoding, Bluetooth wireless, and optical and stereo analog inputs. Ships in August for $399. Energy also showed two Power Bar Elite soundbars: a 40-incher for $599 and a 31-incher for $399. Oh, and there were a couple of new indoor/outdoor speakers as well.
They won’t be available until later in the year, so no prices were yet available, but Vizio joins other HDTV manufacturers (with Panasonic a notable exception) in making this CES the year of 4K launches—though 4K source material will be very thin on the ground. Nevertheless, this Vizio 70-inch 4K set looked outstanding in upconverting what was apparently a standard Blu-ray source. 65- and 55-inches Vizio 4K sets will also be available, though the latter size seems a tad small to take full advantage of the format.
Next to the 4K display, Vizio also showed a glasses-free 3D prototype, though this was apparently a technical demonstration rather than a product we should expect anytime soon. The 3D effect was modestly effective, but not equal to the glasses variety. And the picture was otherwise rather grainy (possibly due to the screen treatment needed for the glasses free experience) and not yet quite ready for prime time. As with other glasses free 3D we’ve seen, the 3D effect was only visible at several specific zones across the viewing area, but unlike those other sets, the picture merely went to 2D in the areas between those zones rather than breaking apart into the two separate eye images.