These sister companies may both operate under the Harman International banner, but they produce very different speakers. Nevertheless, both put on very good demonstrations in the Hilton Hotel near the convention center. Revel set up its new F52 ($8000) and C52 front and center speakers (together with M22s for surrounds and two B15 subs). The amps were the Mark Levinson No.431 for the rears and the 3-channel No.433 for the three fronts.

The pre-pro was the Levinson No.40, now updated with a very flexible video switcher (including HDMI) and video deinterlacing and scaling up to 1080i. And the disc player was the new Levinson No.51 at $18,500 (it's not a universal player). All the pieces are available now, excerpt for the No.51 (um, March). The sound in this room was strikingly life-like, and never edgy or more aggressive than the programming demanded.

In another suite, two JBL 1400 Arrays (from the new Project Array series) were making 2-channel music with a sound balance that suggested they might, together with the matching 880 Array center and smaller 800 Arrays (for surrounds) produce a full-bodied, dynamic sound for both music and films soundtracks. There's also a 1500 Array subwoofer. It's been too long since we tested a surround set of JBL speakers and these might just be the ones to break that drought. Specific prices for each model were not given, but they start at $3000 each.—TJN

Epson has a new 1920x1080 LCD chip, and was showing it off to the CES crowds in two new PTV models, a 55-inch and a 65-inch. Both looked stunning while showing fish paddling about (Stereophile's John Atkinson once referred to fish videos as the video equivalent of audiophile music recordings). The sets should be out in—all together now—March.

Mirage is gradually redesigning its entire line of loudspeakers to match the form factor they originated with the omnidirectional Omnisat models. The tweeter and midrange both fire upwards into diffusing surfaces. The OMD-28, which is expected to sell for $7500/pair, will be available in three finishes, including the high-gloss, burled maple shown here. It should arrive at a dealer near you in—you guessed it—March. A matching center channel, as well as smaller surrounds, will also be available.—TJN.

The photograph shows Samsung's SmoothMotion, as mentioned in previous CES blog. It really does appear to work as advertised.—TJN

While Marantz demonstrated the latest update to its VP-12S4, 1280x720 1-chip DLP projector, it also showed a black prototype of the upcoming VP-11S1, a new 1-chip 1920x1080 design. No delivery date or price was announced, but we'd be surprised to see it ship before next September's CEDIA show. —TJN

Yamaha displayed its flagship DPX-1300 DLP projector, but also featured this new $4000 DLP, the DPX-830SL. It claims a 4000:1 contrast ratio, with a new 1280x768 DLP chip (we're still trying to figure out that odd aspect ratio—popular in computers but unusual for a home theater device. It also features TI's new BrilliantColor technology. (Interestingly, Mitsubishi's HC3000U DLP front projector also has BrilliantColor and a 1280x768 chip). The DPC-830SL is expected to ship in May. —TJN

CES always begins on a note of chaos and near panic. You wonder how you'll actually find anything in the convention center maze, but as the day wears on and your lit bag and camera memory fills up, you feel better. But it's not always smooth sailing. Many of the larger booths seem to be peopled by a mass of ill-informed suits who only have their own little area of expertise, and it's seldom technical (and it's also never the area you're asking about). But you can usually piece together something useful with a little digging.- TJN